Download and stream the audio from Guitar Techniques 333

Page 2 of 6:

Page 2

Jump To:

1980s GUITAR!

1980s GUITAR!

1980s GUITAR!

1
2
3
4
5
6

Current page: Guitar Techniques Issue 333

Prev Page Guitar Techniques Issue 333 Next Page Guitar Techniques Issue 333

Latest

James Jamerson Jr. attends the opening night of "Motown The Musical" at The Fisher Theatre on October 22, 2014 in Detroit, Michigan. Photo of Hank CROSBY and Larry VEEDER and Joe HUNTER and James JAMERSON and Mike TERRY and FUNK BROTHERS and Benny BENJAMIN Studio still life of a 1992 Fender James Jamerson Tribute Precision Bass guitar, photographed in the United Kingdom.

“Dad would never touch the gunk that had built up on the fingerboard. He told me, ‘The dirt keeps the funk’”: Inside the sound and style of Motown master James Jamerson

See more latest ►

5 signs your guitar cable needs replacing (and 6 ways to make it last longer)

“Most stakeholders in the blues world are killing it instead of keeping it alive”: Athlete turned guitarist Emanuel Casablanca approaches guitar with a competitive mindset – and he’s on a mission to stop the blues all sounding the same

“When I’m in the studio I’m playing most of the instruments. Onstage, it’s a different thing”: Alt-country guitarist du jour MJ Lenderman shares his tone secrets and explains why there’s life in the live album yet

“We played a bunch of really awkward shows with both of us staring at our tuners the whole time and then we broke up for 15 years”: Math-rock pioneer Mike Kinsella on his unlikely journey to cult guitar hero status with American Football

“A lot of people don’t know cheap guitars require the same energy, and resources to make as an expensive guitar”: How this Danish guitar company is turning factory rejects into some of its finest builds

“No-one had brought an electric guitar in the church before… it caused a bit of a stir”: Patti Smith on her controversial first gig – and why rock belongs to the people

“I began playing on the simplest old guitar, which was nearly impossible to tune – some of the tuning pegs even fell off!” Meet Tasha S, the Ukrainian guitar phenom whose nonchalant covers have won her millions of followers

“It’s kind of sad that sax or trumpet players can get up there and play like Miles and people appreciate it. But if a guitar player does that, some people think, ‘Oh, that guy has no chops’”: Scott Henderson on virtuosity and musical journeys

“Carlos Santana said, ‘I’ll play bass – you play guitar.’ I said I couldn’t, but he told me whatever I played belonged to me. I could own it”: Super-producer Raphael Saadiq on how he switched to guitar and earned his signature Fender Telecaster

“Beck wanted something distinctive and driving. Like the bass was coming unhinged at every turn”: Listen to Justin Meldal-Johnsen’s bassline on Beck’s Sexx Laws

“It’s Chuck Rainey’s concept of ‘what you don’t play is as important as what you do play’”: After decades of studio sessions with artists ranging from Eric Clapton to Usher, Nathan East reflects on the business of bass