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Steve Vai live onstage in 1986

“There isn’t much guitar at all for the first three tracks. Nobody gave me the memo about what a record should sound like”: How Steve Vai revolutionized guitar with his debut album, Flex-Able

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“I was all about Eddie Van Halen and George Lynch. But John Sykes really got me – he changed my world through his tone and vibrato”: How Fozzy’s Rich Ward took a shred attitude and funk-metal mindset to invent Stuck Mojo

10 legendary blues guitars, from Lucille to Lucy and the ‘Loch Ness Monster of Les Pauls’ – a priceless Gibson that has been missing for more than 50 years

Flatwound vs roundwound bass strings: What’s the difference?

“Ace Frehley is very good at creating a song within a song when it comes to solos, and I've always thought along those lines”: Rock City Machine Co. went from KISS Army to KISS collaborators. Now they're going it alone.

“Metal guitars have more bite, but they lose some of the meat on the attack. Les Pauls are very meaty – there’s a big chunk of tonal range there”: Why a baritone Les Paul is proving the perfect prog metal weapon for Wheel’s James Lascelles

“I use pedals for timbral changes on guitar – it’s like a horn where your breath affects the tone”: Meet Ava Mendoza the punk-reared jazz guitar maverick turning breath work to fretwork

“Dad would never touch the gunk that had built up on the fingerboard. He told me, ‘The dirt keeps the funk’”: Inside the sound and style of Motown master James Jamerson

“I instinctively dislike ‘try hard’ musicians. I pretty much learned my bass rudiments from Led Zeppelin II”: Why Squarepusher is an artist in a vast left-field league of his own

“We had to come up with the songs pretty quickly – Stevie wasn’t a fluent songwriter”: Tommy Shannon and Chris Layton on the making of Stevie Ray Vaughan’s Couldn’t Stand the Weather

“People have always gravitated to guitars by Fender Japan because you get so much more choice… The build quality is the best Fender makes outside the Custom Shop”: How the Japanese Fender offset conquered the world

“Marvel said, ‘Whatever you’re playing has been floating around in the universe for a while…’ I said, ‘Well, why don’t you just mess this guitar up?’” Kevin and Michael Bacon on trashing Taylors for Guardians of the Galaxy and love of Fender Acoustasonics