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“I had a Gibson deal at one point where I could get Les Pauls at factory prices. I would sell them at pawn shops and put the money towards older Les Pauls”: Mike Ness on fighting cancer and the roots influences behind Social Distortion’s self-titled LP

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“Sometimes I make the bassline too complex and too noodly, but Thom is good at putting the brakes on that”: How Colin Greenwood came up with his deceptive stop-start bassline on Radiohead’s Airbag

“The whole audience’s heads snap and look at the stage, and I go, ‘Oh my God, I can't forget this riff’”: Randy Bachman on how a broken string inspired his iconic American Woman guitar riff

“It made me realize how grateful I am to have the guitar in my life”: I applied to be the new Smashing Pumpkins guitarist – I didn’t get the gig, but it was one of the most life-affirming experiences of my musical career

“When I first played Jump for the guys nobody wanted anything to do with it. Dave said I was a guitar hero and I shouldn’t be playing keyboards”: The story of Van Halen’s 1984 – the Flying V, the synths and the end of the David Lee Roth era

“I try to score Tommy Shelby’s inner voice with my guitar. I’d play with a bow or hit the strings with the guitar on the ground, all sorts of weird stuff”: How Anna Calvi threw out the guitar rulebook to write the Peaky Blinders score

“I was all about Eddie Van Halen and George Lynch. But John Sykes really got me – he changed my world through his tone and vibrato”: How Fozzy’s Rich Ward took a shred attitude and funk-metal mindset to invent Stuck Mojo

10 legendary blues guitars, from Lucille to Lucy and the ‘Loch Ness Monster of Les Pauls’ – a priceless Gibson that has been missing for more than 50 years

Flatwound vs roundwound bass strings: What’s the difference?

“Ace Frehley is very good at creating a song within a song when it comes to solos, and I've always thought along those lines”: Rock City Machine Co. went from KISS Army to KISS collaborators. Now they're going it alone.

“Metal guitars have more bite, but they lose some of the meat on the attack. Les Pauls are very meaty – there’s a big chunk of tonal range there”: Why a baritone Les Paul is proving the perfect prog metal weapon for Wheel’s James Lascelles

“I use pedals for timbral changes on guitar – it’s like a horn where your breath affects the tone”: Meet Ava Mendoza the punk-reared jazz guitar maverick turning breath work to fretwork