Eventide Space Pedal

This video is bonus content related to the July 2011 issue of Guitar World. For full print reviews, lesson tabs and more, look for the July 2011 issue of Guitar World on newsstands now!
In this two part review, Paul Riario reviews the Eventide Space Pedal, a processor which works equally as well for guitar, drums, vocals and more. Part 1

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Paul Riario has been the tech/gear editor and online video presence for Guitar World for over 25 years. Paul is one of the few gear editors who has actually played and owned nearly all the original gear that most guitarists wax poetically about, and has survived this long by knowing every useless musical tidbit of classic rock, new wave, hair metal, grunge, and alternative genres. When Paul is not riding his road bike at any given moment, he remains a working musician, playing in two bands called SuperTrans Am and Radio Nashville.

Latest

“The pick that makes guitar easier”: Introducing the PickTwist – a new 3D pick that will make you a better player… and never slip out your hand

See more latest ►

“I played a 5-string with Lauryn Hill, but it didn’t feel like a real bass”: Raised on R&B, schooled by fusion, and empowered by punk rock, Bad Brains bassist Darryl Jenifer remains a 4-string purist

“Zoom discontinued that pedal because nobody bought it – but bass players are always coming up to me wanting to know how I got those sounds”: Remembering jazz great Victor Bailey, who used an unsung multi-FX pedal for his cover of Prince’s biggest hit

Proggy Pentatonic! How to Use the Good Ol’ Pentatonic Scale in Cool New Ways

“I had a hard time playing in tune. The producer stopped me and said, ‘George, tune up again.’ I didn’t realize the value of that until Breezin’ came out”: How George Benson landed a hit album by breaking the rules – and learning to play in tune

“Even though a Marshall sounded fantastic, I refused to play one. That’s my bad… I had a terrible sound for years”: Punk-grunge icon Donita Sparks on ironic gear choices, L7’s infamous Reading Festival set and why recording with Butch Vig was “maddening”

“I bought my ’54 Strat from the biggest dealer in Sweden – he was crying when I walked away with the guitar”: Brian May, Steve Vai and Neal Schon have all given Yngwie Malmsteen guitars – but nothing compares to his Fender Strats

“If there was ever a time to get off the rollercoaster, it was going to be at the top”: Being in a band is tough – just ask bassist Dirk Lance, who left Incubus at the peak of their powers

“Trying to emulate these different players was a challenge. Chris Poland to Marty Friedman is like night and day. But that’s what excites me”: Glen Drover grew up idolizing Megadeth and King Diamond’s guitar heroes – then he had to step into their shoes

“Many players think that the pickups are the main contributor to the way a guitar sounds… But if you change what the string does, that changes the guitar”: How Andy Powers rethought electric guitar design for the Powers Electric A-Type

“We made a handwritten tab book. I wanted to make some sort of DIY zine, and I had all these guitar solos from the EP that people were asking about”: Musical polymath Luna Li on blending harps with Fender Jaguars – and the art of arrangement

“I remember watching Jimi when I was younger, while he was in the room with me. I’d have my social studies book, but I was listening and watching him”: Ernie Isley lived with Jimi Hendrix – then took his place to write hit after hit in his brothers’ band

Get The Pick Newsletter

Most Popular