Review: Fender's '62 Princeton Amp Chris Stapleton Edition is a stunning, no-nonsense reissue

Fender '62 Princeton Chris Stapleton Edition
(Image credit: Fender)

There is little doubt the Fender Princeton is a coveted amp. “But which one?!? Tweed? Blackface? Silverface?” All of them, my friends, all of them.

That said, the one serendipitous electric-powered wallflower that often gets overlooked is the Brown-era Princeton amp, which was produced from ’61 to ’63. Hell, even Grammy-winning country artist Chris Stapleton sheepishly admitted he found his ’62 Princeton - the one this Princeton is based on - gathering dust in the corner of a music store.

“So, what’s so special about this reissue, then?” Everything, my friends, everything. For starters, this slightly modified Fender ’62 Princeton Chris Stapleton Edition is the first Brown-era hand-wired reissue Fender has made, and even without reverb, its sound is as smooth as Tennessee whiskey - if you don’t mind the double entendre.

Stapleton’s original has a speaker swap, so the first noticeable mod on the ’62 Princeton is the inclusion of an Eminence 12–inch Special Design 'CS' speaker in place of a stock 10-inch speaker found in vintage ones.

This 12–watt combo features a hand-wired classic 6G2 circuit housed in an acoustically resonant solid pine cabinet, with top-notch componentry consisting of Fender Vintage 'Blue' tone caps, Schumacher transformers and an output tube-biased tremolo circuit.

It looks fantastic, too, with brown textured vinyl covering, wheat grille cloth, dark brown control panel with dark brown 'radio' knobs and a thick dark brown leather handle. The rear panel features an engraved brass plate with Chris Stapleton artwork and includes a one-button tremolo footswitch, and a Filson rugged twill fabric cover.

With just volume, tone, speed and intensity for controls, there’s little room for fiddling with this ’62 Princeton.

The bigger speaker clearly adds more body to enhance its musical midrange and crumbly overdriven snarl when the volume is pushed. The tube tremolo oscillates in such an organic and dimensional manner that it almost acts like reverb, adding depth.

It’s not a cheap amp, but neither are the vintage ones, and Stapleton requested all artist royalties from this amp be donated to his charity, Outlaw State of Kind. I've gotta say, that’s pretty cool.

STREET PRICE: $1,999.99

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Paul Riario

Paul Riario has been the tech/gear editor and online video presence for Guitar World for over 25 years. Paul is one of the few gear editors who has actually played and owned nearly all the original gear that most guitarists wax poetically about, and has survived this long by knowing every useless musical tidbit of classic rock, new wave, hair metal, grunge, and alternative genres. When Paul is not riding his road bike at any given moment, he remains a working musician, playing in two bands called SuperTrans Am and Radio Nashville.