"We want to use what we know and move forward, and we will.” Jake Kiszka opens up to GW about Greta Van Fleet's meteoric rise.
“There are a lot of Easter eggs the listener can find.” German technical death metallers Obscura discuss their chapter-closing new album.
“It just struck me that it was time for Duane and me to work together." Devon Allman discusses how a second-generation Betts/Allman collaboration came into being.
"When I’m playing I don’t worry about it — I just feel it.” Kurt Vile dishes on his expansive new album.
"I love to have fun, except I do it a little differently than most people.” Steve Vai dishes on his idea of a good time: tearing it up with four fellow axe wizards on the 'Generation Axe' tour.
'Controlled Chaos' is a panoramic view of Nita Strauss' many strengths. In our Holiday cover story, one of the industry's rising stars breaks down her stellar debut.
He’s a co-founder of Sepultura, and his distinctive playing helped put Brazilian thrash metal on the map. But what Guitar World readers really want to know is…
The Fender California Player acoustics are perfect for electric players who don’t want to cramp their style when playing acoustic.
Eric Peterson discusses how he went back to his roots for Dragonlord's brutal third album, 'Dominion.'
Alice Cooper has performed with an astonishing array of guitar virtuosos, but what does he think of them? Find out here.
In his latest GW lesson, Judas Priest's Richie Faulkner teaches you how to draw the listener in and to tell a story with your solos.