Marshall
Latest about Marshall

It looks like Marshall is about to reissue its fabled Blues Breaker pedal
By Matt Owen published
Almost exactly one year after rumors of the John Mayer-favored overdrive pedal's revival emerged, a gear collector named Luca has returned to further fuel speculation. But this time, he's got pictures and packaging to prove it

Lemmy’s 5 greatest Motörhead basslines
By Nick Wells published
"Lemmy’s bass playing was just so insane!" The bass playing legacy of one of the greatest bassists in the history of metal and hard rock: Lemmy

Marshall celebrates a prominent era in rock ‘n’ roll history with limited-edition “Target 62” SV20C combos
By Matt Owen published
Vowing to reach the Plexi promise land at more manageable volume levels, the new-look combos feature the flagship SV20C's spec sheet with a radical cosmetic twist

New Motörhead reissue includes a ouija board “should the desire to have a chat with Lem arise”
By Nick Wells published
Commune with the bass legend via the Murder One ouija board and Ace of Spades planchette with new extended box set of Motorhead's last album

Why the Marshall JCM800 2203 was the amp head of choice for a generation of rock and metal guitar players
By Chris Gill last updated
As the ‘80s demand for crunch spiked, the JCM800 2203 cemented its position as a backline classic

Best blues amps 2025: electric guitar amplification for when the thrill is gone
By Jonathan Horsley last updated
Guitar World picks out 12 of the best blues amps from Fender, MESA/Boogie, Marshall and more

This Marshall 4x10 guitar cab is built almost entirely out of Lego – and it actually works
By Matt Owen published
The neat creation features four Celestion VT Jr. speakers, a fully functioning circuit and many, many Lego bricks

Joe Satriani on his love of Marshall amps: “If there was ever an amp that makes you feel self-conscious yet emboldens you to play like a giant, it’s a Marshall”
By Henry Yates published
The virtuoso on the sound that made him stop in his tracks – and also realize that there was no hiding place at high volume
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