Latest about Total Guitar
Melissa Auf der Maur reveals the biggest lesson she learned from Billy Corgan and The Smashing Pumpkins
Auf der Maur joined the Pumpkins in October 1999 following a five-year stint with Hole
Fender secures legal ruling to protect the Stratocaster body design
Fender says the ruling creates enforceable rights against any guitars using the Stratocaster body shape that are manufactured, sold or distributed into Germany or other countries of the European Union
Janelle Monáe’s new guitar of choice is the cheapest Epiphone Les Paul ever released
The multi-instrumentalist donned one of the most budget-friendly guitars Epiphone has ever released when teasing her new era
Verso looks to revolutionize the lap steel slide guitar with the Log
The instrument is shaking off its conventional connotations to deliver a whole new world of soundscaping
Eastwood bravely recreates Mike Bloomfield’s mangled Bob Dylan Telecaster
Bloomfield famously used the Telecaster before its brutal cutaway mod when Bob Dylan went electric at the Newport Folk Festival – and now it’s been remade in all its grisly glory
Seattle rock guitarist on touring with Metallica and Aerosmith in the early ’90s
The success of their debut album soon found Peter Klett on the road with two massive bands
Why Myles Kennedy felt uneasy using Jeff Buckley’s Telecaster to play Hallelujah
Kennedy played Buckley’s iconic 'Grace' Tele for a special tribute performance of Hallelujah in 2019
Steve Vai has recorded a new solo over Van Halen’s Jump
Blink-182 drummer Travis Barker also features on the track
8 signature guitars that deserve your attention – including models from Fatoumata Diawara, Susan Tedeschi, St. Vincent, Yvette Young, and more
From unique SGs to metal monsters and updated classics, these signature guitars cover all the bases
Witch Fever’s Alisha Yarwood on superhero stompboxes, dream tours with IDLES, and why ‘That Great Gretsch Sound’ was doom-punk all along
Raw, feminist, fiercely unrelenting, Witch Fever have taken their sound from clubs to arenas. Here, Yarwood talks tonal epiphanies, starting on drums, and finding freedom on bigger stages
