In this rare interview with the Darkthrone guitarist, Ted Skjellum muses on the Fender combo’s black-metal magic and why he doesn’t miss playing live…
Chris Carrabba on how he became his own compressor, why he still looks to the Fender Tele for his electric kicks, and… his favorite metal shredders?!
The Deep Purple and Flying Colors hero on changing picking styles, choosing guitars and famous friends…
Learn how to create stunning electric guitar soundscapes with our hands-on examples for all levels of guitarist
The International Bluegrass Music Association’s Guitar Player of the Year discusses his anything-goes approach and hot new album, Home
With the POG, polyphonic pitch-shifting finally arrived for the average player, and its great tones and superior tracking have cemented its place in pedal history
He’s just a good ol’ boy from Texas with a flair for heartfelt Americana rock and a killer mustache, trying to make a name for himself
Drone-metal lords Stephen O’Malley And Greg Anderson discuss the meaning of Life Metal - and their new signature stompbox, the Life Pedal
The shredder on the band's latest album Extreme Power Metal, his favorite EVH solo and how he developed his mind-bending sweep-picking ability
With great options from Boss, Keeley, MXR and more, there has never been a better time to add one of the best compressor pedals to your pedalboard
Guitarists Mark Heylmun and Chris Garza talk gear, influences and returning to form with their latest album, Become the Hunter
"Once you get past a certain threshold with anything - pedals, guitars or amps - the differences are small, despite what their marketing departments like to tell you"
We pay homage to one of Fender's most iconic electric guitars and help you figure out which is the best Telecaster for you
The Vermont rock-pop force of nature on falling back in love with music, working with resonance and why the Flying V brings out her A game
From the Red Special to an arsenal of effects, here's how to sound like the operatic rock legend, including the ultimate tone hack...
It’s good tone by name, but is it good tone by nature for Washburn’s new series of Studio-sized acoustics?