“I actually got to the point of doing a show and Ozzy hired me – he said he wanted me to do the gig”: Alex Skolnick looks back on his brief tenure as Ozzy Osbourne’s guitarist – and why it only lasted one show

Ozzy Osbourne and Alex Skolnick
(Image credit: Getty Images)

Thrash and jazz shredder Alex Skolnick has opened up on his blink-and-you’ll-miss-it spell as Ozzy Osbourne’s guitarist that lasted just one impromptu show.

Since Randy Rhoads explosive talents helped launch Ozzy Osbourne’s solo career in the early ‘80s, the role of the Prince of Darkness’ chief shredder has been one of metal guitar’s most coveted jobs.

“I actually got to the point of doing a show and Ozzy hired me – he said he wanted me to do the gig,” he reminisces.

“It was an unannounced show at Nottingham Rock City and it was great. I didn’t get the role full-time, which I think was a management decision, but it was a great motivation at a time when I didn’t really know what to do next.”

He gave more clues to the context behind the “management decision” when speaking to Loudwire in 2016. It doesn’t seem that the decision to look elsewhere was entirely musical.

“[After the show] there was one person who didn’t congratulate me,” he says. “A lot of hints had been dropped – things like, ‘Maybe you could lower the guitar,’ or ‘Maybe you could stand like this.’ I realized, ‘Oh, I think she wants me to be Zakk Wylde.”

He was quickly replaced by former David Lee Roth guitarist Joe Holmes, with Wylde eventually rejoining the fold and featuring, alongside Steve Vai, on his new album Ozzmosis, later that year.

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Dispute Skolnick having had the briefest of stints in the band, he’s thankful for the shot in the arm it gave him.

“That was when I enrolled in the university called The New School in New York, and studied with these greats like [jazz musicians] Cecil McBee and Reggie Workman,” he concludes. His studies led to the formation of the Alex Skolnick Trio, which has released five albums to date.

Skolnick rejoined Testament in 2005 and is currently readying his fifth album of his second spell with the band.

A recording of Crazy Train, the last song Skolnick played on that fateful night in 1995, stands as one of the few souvenirs from his reign. The rest is left to fantasy and thoughts of what could have been.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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