“It was a nightmare. My only experience was playing in my room where I was alone”: Laura Cox on the challenges of transitioning from YouTube to the studio – and how to conquer them
The French guitarist made her name with classic rock videos on YouTube, but when it came to cutting her teeth in the studio, Cox admits it was another story altogether...
Laura Cox accidentally embarked on a fully fledged career after she started posting classic rock guitar covers on YouTube 18 years ago and went viral.
She’s now a bona fide touring and recording artist, with three albums under her belt. But as she herself admits, the transition from YouTube to recording her own material in a professional studio was trickier than she expected, or, in her own words, “a nightmare”.
“I was around 15 when I started playing the guitar. Then, two or three years afterwards, I was really into watching YouTubers playing covers of classic rock solos, and it was really motivating for me,” she tells Guitarist. “I thought, ‘Okay, I’m gonna do the same. I’m gonna post and maybe get some feedback.’
“A lot of the comments were really positive, really encouraging and motivating. But there was also a few criticising my looks, or almost sexual harassment. But, honestly, for me, it was the internet, it was not real life.”
Around 2014, Cox put a band together, and, thanks to her notoriety on YouTube, she managed to find a label and a booker – a move that led her to release her first studio album, Hard Blues Shot, in 2017.
“It was a nightmare,” she replies when asked about dipping her toes into the recording arena. “Because my only experience of music was playing guitar in my room in front of a webcam where I was alone, so I could re-record and re-record.
“But playing in the studio, recording an album with a band and engineers, and every second is costing me money, I was really stressed,” Cox continues. “We had a lot of technical difficulties; the gear was falling apart, and nothing was working.
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“I was kind of going into depression after the first studio recording because we couldn’t see the end. Every day we were thinking, ‘Okay, we’re late on the schedule; we still have to record this and this,’ and it was never-ending.”
Thankfully, things got better over the years, and as she – and the rest of the band – gained more studio experience, she even discovered the joy of self-producing on her latest album, Trouble Coming.
“I didn’t record it this way in the studio. I recorded a lot at home, and it felt way more comfortable.”
For more from Laura Cox, plus new interviews with Jeff Tweedy and Brian Robertson, pick up the new issue of Guitarist from Magazines Direct.
Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology and how it is shaping the future of the music industry, and has a special interest in shining a spotlight on traditionally underrepresented artists and global guitar sounds. She also had the pleasure of interviewing Melissa Auf der Maur, Yvette Young, Danielle Haim, Fanny, and Karan Katiyar from Bloodywood, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her Anglo-Maltese, art-rock band ĠENN.
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