Having seen a resurgence in the last few years with the rise of new nu metal, the best baritone guitars are a great way to get super low tunings without an extra string getting in the way. They take some getting used to when it comes to playing them, but once you get over that hurdle the ability to have low tunings but keep all your chord and scale knowledge makes them a brilliant choice.
If you're not planning on tuning lower than B, then a baritone guitar probably won't be worth it for you. However, if you're the type that wants to hit the low tones of G and F, or even down a whole octave to E again, a baritone allows you to do just that without getting any horrid floppy string action. Typically tuned BEADF#B, baritone guitars feature an extended scale length, placing them somewhere between a regular guitar and bass guitar, which is what allows for lower tunings with stable string tension.
If this is going to be your first baritone guitar, then we'd highly recommend having a look at our FAQs section which has loads of common questions answered by the experts here at Guitar World. If you just want to see the best baritone guitars available right now, then keep scrolling for our top picks.
A guitar that amply covers all the bases as a standout baritone electric, the PRS SE 277 can shoulder the heaviest tones yet clean up nicely, with a coil tap for single-coil twang once you tire of splitting the atom with high-gain madness.
If you want low tunings on a budget, we'd go for the Squier Paranormal Series Baritone Cabronita Telecaster. Don't be fooled by those P-90 style pickups, this thing can get properly heavy, but has enough twang to cover other styles too.
If you want to get super heavy, the Jackson Pro Plus XT Soloist should be your go-to. It's packing two Seymour Duncan humbuckers, 24 stainless steel frets, a compound radius fretboard, and an arcade-button style kill switch.
The PRS SE 277 is the perfect example of a baritone electric that can be used for metal, picking up where the Mike Mushok SE model left off. That said, it’s similarly at home in more relaxed settings, with your slippers on and the gain dialed back, picking through jazz chords or simply giving new range to your compositions.
This electric baritone guitar is very much what you make it. Tuned to B, with its 27.7” scale (hence the name), the PRS SE 277 will lean its slab mahogany and maple veneer shoulder into bruising riff-work you need it to.
That push/pull coil-split also enables you to open up the quite excellent PRS 85/15 S humbuckers to a wider world of musical potential. Yes, spaghetti western or old-time rock ’n’ roll twang is available as a side-order to down-tuned chug.
After considering the impeccable build and finish, its perfect balance, classy aesthetic and reasonable price, the PRS SE 277 makes a very convincing argument for being the best baritone guitar on the market.
The Telecaster has always been a fine choice for the six-string rebel, but this budget Squier Paranormal Series Cabronita, with its 27” baritone scale, dressed in black with over-sized soapbar single-coil pickups, really takes it to the next level.
Its appeal lies in taking the simplicity and enduring appeal of the Telecaster design – rarely matched, never beaten – and offers a clever variation on a theme. And while the Cabronita baritone guitar looks achingly cool, everything here is designed with sheer practicality in mind.
Check out the string-through-body bridge design with its individually adjustable saddles so that you can fine-tune the intonation. The pickups are Fender designs and do an excellent job of articulating that low end without losing detail and mushing out.
You could use this for downtuned punk and grunge, but through a clean amp with a little spring reverb and slapback echo, you’ll find this is the best baritone guitar if you want a rock ’n’ roll machine with a nigh-on oceanic depth to its voice.
Neck: Three-piece maple, neck thru with graphite reinforcement
Scale: 27”
Fingerboard: Ebony
Frets: 24, jumbo
Pickups: Seymour Duncan Nazgul/Sentient
Hardware: Jackson HT6 string through hardtail, Jackson sealed die-cast locking tuners, black finish
Finish: Black, satin
Reasons to buy
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Superb sounding Seymour Duncan pickups
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Ultra-playable compound radius fretboard
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Handles low tunings brilliantly
Reasons to avoid
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Probably too metal for some
If you're looking for a proper modern metal machine, the Jackson Pro Plus XT Soloist will let you get low without you having to adjust to an extra string. Coming tuned in B-standard out of the box, with the addition of some thicker strings you can take this guitar super low.
A pair of Seymour Duncan Nazgul/Sentient humbuckers provide all the high-gain tones you'll need for chugging and shredding. We love the addition of the arcade-style killswitch too, great for adding some stutter effects to those dissonant chords during a heavy breakdown.
Playability-wise wise it's an ultra-fast neck as you'd expect from Jackson, with a compound radius that flattens out the higher up the neck you get. It means you get that shred playability to go with easy riffing and fretting of chords. It isn't the longest scale out of the baritones here, but it will take some getting used to if you're used to a regular scale guitar.
Best for rock
(Image credit: Gretsch)
4. Gretsch G5260 Electromatic Jet Baritone
The baritone guitar for retro rock ’n’ roll
Our expert review:
Specifications
Body: Mahogany
Neck: Maple, bolt-on
Scale: 29.75”
Fingerboard: Laurel
Frets: 22, medium jumbo
Pickups: 2x Gretsch Mini Humbucking (bridge and neck)
Hardware: Anchored Adjusto-matic w/ V Stop-tail
Finish: London Grey, Dark Cherry Metallic, Jade Grey Metallic, Black [G5260T only], Airline Silver [G5260T only]
Reasons to buy
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Approachable for a long-scale baritone
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Good range of exceptional tones
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Option of hard-tail or Bigsby trem
Reasons to avoid
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Finishes are a little muted
Playing a Gretsch always offers welcome respite from modern life and the G5260 Electromatic Jet Baritone Guitar is no different. It has the classic Jet silhouette, the G-Arrow chrome controls, the choice between V stop-tail or licensed Bigsby vibrato. And yet, this is Gretsch for playing gigs in the uncanny valley, for there is just so much guitar.
For some, the nigh-on 30” scale length and slab mahogany build makes the Gretsch G5260 is a considerable lump of wood to wrap your arms around, but that neck profile is very comfortable. Once you adjust to all that extra fretboard runway (really, it’s like a short-scale bass), the G5260 is a really fun ride.
Play it through a small Fender tube combo, generously sauce with spring reverb and you’ll be riding the waves of deep surf tone in no time. Dial in slapback and it’ll yield a sonorous rock ’n’ roll voice that’s so darn mean your only concern is that an authority figure will step in and confiscate it. Without question the best baritone guitar for surf rockers.
Best acoustic
(Image credit: Alvarez)
5. Alvarez ABT60E
A classy electro-acoustic for baritone players
Our expert review:
Specifications
Type: Round-shouldered jumbo
Top: Solid A+ Sitka spruce
Back & sides: Laminated Mahogany
Neck: Mahogany
Scale: 27.72”
Fingerboard: Pau ferro
Frets: 20
Electronics: LR Baggs StagePro Element
Tuners: Premium die-cast
Left-handed: Yes
Reasons to buy
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Solid Sitka spruce top
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Detailed tone, with rich lows
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LR Baggs electronics are ace for the price
Reasons to avoid
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Some find jumbo profiles unwieldy
There’s a lot to like about Alvarez, most notably the company’s ability to assemble stage-ready, high-quality strummers that sit comfortably in the mid-priced bracket. This electro-acoustic baritone guitar is no exception, but it is quite different from the typical Alvarez electro-acoustic.
On the Alvarez ABT60E Artist Series, we have an extended scale, measuring a hair over 27” and with a nut width of 1.75” positioning it in the comfort zone for fingerstyle players without alienating any flat pickers. With a lower bout measuring over 17” at its widest, the proportions might dwarf some players, but this helps project the extra bass from being tuned down to B.
The Alvarez ABT60E really fills out a mix, making a wonderful counterpoint to an acoustic in standard E A D G B E tuning, and we would imagine doubly so with a 12-string where there would be so much harmonic potential. The LR Baggs StagePro Element is an excellent feature at this price, with a 3-band EQ, notch, and phase control making it a cinch to dial in a live mix.
Best semi-hollow
(Image credit: Hagstrom)
6. Hagström Viking Baritone
The best baritone guitar if you want a semi-hollow option
Hardware: Long-travel Tune-O-Matic with Hagstrom stop-tail
Finish: Black Gloss, Cosmic Black Burst, Tobacco Sunburst
Reasons to buy
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Wide range of tones
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Slinky neck and feel
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Good value for a well-made instrument
Reasons to avoid
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Tad too old school?
A semi-hollow ES-style baritone guitar? Why not. The Viking Baritone would make for an excellent head-to-head with the Gretsch G5260. Both are notable for how well they endow a larger-format guitar with all their traditional brand flourishes.
Blindfolded, you could grab the Viking Baritone Guitar by the neck and instantly recognize that slimline Hagström profile, with the Resonator fingerboard persuasively ebony-esque and pleasant to the touch. The inside is semi-hollow but metaphorically it’s solid. It has the long-travel tune-o-matic bridge and stop-tail and 18:1 die-cast tuners keeping the tuning honest, with the H-Expander truss-rod making the Hagstrom neck good and sturdy.
Best of all is the pickup combo, with a humbucker-sized P-Urified P-90 offering warmth with a vinegar-sharp aftertaste of twang, and the bridge position’s Custom 58C, a semi-open coiled humbucker with a vintage-voiced Alnico V magnet. It gives you some of that classic 70s Hagström jazz vibe, plus a clean tone to die for.
More options...
(Image credit: Chapman Guitars)
7. Chapman ML1 Modern Baritone
The best baritone for metal guitarists on a budget
Our expert review:
Specifications
Body: Alder with Ash Veneer
Neck: Maple
Scale: 28″
Fingerboard: Macassar Ebony Fretboard with Rolled Edges
Frets: 24, Jumbo
Pickups: 2x Chapman Sonorous Zero
Hardware: Chapman String-Through Hardtail
Finish: Deep Blue, Sage Green, Slate Black
Reasons to buy
+
Great for drop tuning
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Powerful pickups
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Lovely playing neck
Reasons to avoid
-
Aimed at metal guitarists
The Chapman ML1 Modern Baritone is a fantastic value riff machine, and arguably the easiest entryway for modern metal guitarists to get into the baritone sphere. It’s incredible value for money considering the spec, delivering everything the modern player needs.
Equipped with dual humbuckers and a coil tap switch, it’s perfect for crushingly heavy riffs, whilst still allowing for a lovely tone during clean-picked passages. The pickups are definitely voiced for modern, heavy music, there’s not much Duane Eddy or Brian Wilson action here.
The generous 28-inch scale length makes it perfect for dropping down to A or G, and we’ve had ours as low as E - one whole octave below a regular guitar tuning! Thanks to that scale length the strings never feel floppy, although you’ll need a chunky 13-72 set for it. For a modern player on a budget, you can’t get much better than this.
(Image credit: ESP)
8. ESP LTD EC-1000 Baritone
A brilliant baritone for metal-loving players with money to spend
Our expert review:
Specifications
Body: Mahogany with Maple cap
Neck: 3-piece Mahogany
Scale: 27"
Fingerboard: Macassar Ebony
Frets: 24, Extra Jumbo
Pickups: Fishman Fluence Modern Ceramic Humbucker, Fishman Fluence Modern Alnico Humbucker
Hardware: TonePros Locking Tune-O-Matic Bridge with String-through body
Finish: Charcoal Metallic
Reasons to buy
+
Fishman Fluence pickups
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Locking tuners
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Thin ‘U’ neck profile
Reasons to avoid
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Not for traditional players
The ESP LTD EC-1000 is one of the most popular metal guitars of all time, and this baritone version continues that trend, offering extra low tunings with the stability you need in heavy music.
You get a mix of Fishman Fluence pickups, with a ceramic one in the bridge position to deliver clarity and bite. In the neck position, it’s an Alnico pickup for a warmer and more personable tone, great for lead work and clean sounds.
The scale length isn’t the longest here, but we found it’s more than capable of dealing with lower tunings. The Macassar ebony fretboard feels wonderful, and extra jumbo frets ensure that string buzz is never an issue.
(Image credit: Ibanez)
9. Ibanez RGIB21 Iron Label Baritone
The best baritone guitar for sizzling low-end shred
Our expert review:
Specifications
Body: Nyatoh
Neck: Maple, bolt-on
Scale: 28”
Fingerboard: Jatoba
Frets: 24
Pickups: EMG 80 active humbucker (bridge), EMG 60 active humbucker (neck)
Hardware: Gibraltar Standard II hard-tail bridge, Gotoh MG-T locking tuners
Finish: Black
Reasons to buy
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Well designed hard-tail bridge
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Gotoh locking tuners
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Active EMGs are voiced for metal
Reasons to avoid
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Only one color
So here is where the baritone guitar plays to type, with the Iron Label baritone purpose built for the speed-freak shredder, the djent-curious, and the metal player whose regular guitar just isn’t coming through with anywhere near enough chug.
Much of the Ibanez RGIB21 Iron Label Baritone’s DNA dates back to the 1980s, when the RG series blossomed alongside rivals from Jackson and Charvel as the state-of-the-art S-style of the decade. That body shape, with the sharp-pointed horns, the headstock… It’s a dead giveaway. Elsewhere we have a slim-profile maple and purpleheart (aka amaranth) neck, affixed to the body with four bolts on a tastefully sculpted heel.
But the RGIB21 is quite a different instrument; it’s larger, for a start, with a more than generous 28” scale to accommodate the lowest tunings. The EMG 60/81 active humbucker pairing might be a little less exotic in the era of Fluence Modern pickups and Bare Knuckle’s boutique winds but it is an industry standard for a reason, at home with molten levels of saturated gain. Little details such as the luminescent side dot fret markers are a nice touch – a rare moment of light on a guitar with a dark heart.
Finish: Transparent Blue, 3-Tone Sunburst, Transparent Red
Reasons to buy
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Buy it for the Dano retro magic
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Covers a lot of styles
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Stable vibrato
Reasons to avoid
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Versatility stops short at metal
And now for something completely different. Maybe this speaks to the early radicalism of guitar design, but it feels significant that the most out-there design on the list dates back to Semie Mosely and his Mosrite designs. A back-to-front doublecut offset with a dual-lipstick humbucker in the bridge position and an over-sized single-coil at the neck, the Danelectro 66BT has pawnshop chic by the ton.
Look past the eccentricity and you have one of the best baritone guitars for a range of styles – it should stop any indie, alternative or punk players in their tracks. This is yet another baritone that performs a neat trick in having a scale length of just under 30”, but with its C-profile neck and alchemic balance from the reversed body shape it feels manageable and, above all, fun.
The Danelectro 66BT is also a real tone machine. It has a coil-tap for single-coil twang at the bridge, with a respectable degree of power when in full humbucker mode, while the neck pickup has got a distinctly P-90 character, open and dynamic, and a fine complement to the semi-hollow build.
FAQs
(Image credit: Future)
Which baritone guitar should I buy?
In the modern era of guitar, it seems like there are two main types of baritone guitar players. Heavy-inclined guitarists who want crushing tones without resorting to using an extended range guitar, and vintage tone lovers who are looking for that ‘Spaghetti Western’ or surf sound. We should note that there are also baritone acoustic guitar players too, and many duos utilize the different voices of a baritone and a regularly tuned acoustic to create an interesting timbre.
When choosing a baritone guitar, you should consider what it is you want to do with it. If it’s an experimental tool that’s used to add color to compositions or a new voice to your ensemble playing, then look for something with vintage spec pickups. On the other hand, if you’re after the heaviest tones imaginable, there’s a great selection of modern baritones with humbucking pickups that will let you down-tune whilst still retaining the articulation and string tension needed.
What is the best length for a baritone guitar?
Scale length is an important factor in all guitars, affecting the playability and determining just how low you can go with tuning. Most baritone guitars sit somewhere between a 27-inch and 30-inch scale length. Of course, the larger the scale length, the more spaced out the frets are, which also affects the playability of the instrument, particularly important to note if you’ve got small hands.
If you’re looking to drop-tune your instrument to the regions of G or F#, then a longer scale length means you won’t have to put such heavy gauge strings on, as it will retain a better string tension. If you’re more of the vintage baritone player, then a shorter scale length might suit you better, allowing for lighter strings whilst still unlocking that booming baritone voice.
Are baritone guitars harder to play?
When we got our first baritone guitar, we almost sent it back such was the shock at how different it felt initially. The frets were further apart than we were used to, making chords that were a breeze to us on the regular guitar a lot more difficult to play. Our hands got tired during fast playing as they were having to work harder and certain stretches were suddenly nigh on impossible.
So yes, baritone guitars are harder to play. But don’t let that stop you from getting one. Once we got over the initial adjustment period we found that playing a baritone has made us a better guitarist overall. Once you’ve played a baritone for a while, going back to a regular-sized guitar makes it feel like a toy! Your hands will be flying across the fretboard and you’ll wonder how you ever thought that regular six-string was difficult to play.
How are baritone guitars tuned?
A baritone guitar typically comes a perfect fourth lower than a regular guitar, which is B E A D F# B. However there’s nothing to stop you from going down to a perfect fifth, i.e. A D G C E A, or even going up to the major third which is C F Bb Eb G C - as famously used by Queens of the Stone Age.
In modern metal, guitarists are tuning as low as F and E standard with longer scale baritones, and with the right string gauge on your baritone it's pretty easy to hit these lows yourself.
Can baritone guitars be tuned to standard?
Yes, you can, but you’ll need some serious setup work and a light set of strings to make it work. If you’re not familiar with guitar setups, then we’d highly recommend taking it to a proper guitar tech or luthier to have your instrument set up if you’re going this route. The Buckethead Les Paul famously featured a 27-inch scale length but was tuned to standard, improving the intonation of chords and offering a unique timbre compared to the regular 24.75” scale LP.
How we choose
(Image credit: Future)
At Guitar World, our team of seasoned musicians has extensive experience playing and testing various guitar products, including many baritone guitars. As passionate guitar enthusiasts, we understand the importance of achieving the right sound and tone, and we draw on our knowledge gained from using these products in live performances, studio recordings, and rehearsals to identify the best products for our guides.
To create our list of top baritone guitars, we use a combination of practical experience, user reviews, and in-depth discussions with our editorial team to reach a consensus. We evaluate factors such as pricing, features, ease of use, and durability to ensure that we showcase the best baritone guitars currently available.
As guitar players ourselves, we appreciate the value of having the right equipment to deliver a memorable performance. Thus, we are committed to providing reliable and knowledgeable recommendations to help guitar players find the perfect product to suit their specific needs and preferences. Our ultimate aim is to help empower guitar players to unlock their full potential with the best gear on the market.
Find out more about how we make our recommendations and how we test each of the products in our buyer's guides.
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Our expert reviewers spend hours testing and comparing guitar products so you can choose the best for you. Find out more about how we test.
Jonathan Horsley has been writing about guitars since 2005, playing them since 1990, and regularly contributes to publications including Guitar World, MusicRadar and Total Guitar. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.
