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A Mesa Boogie Dual Rectifier amplifier

“From 1993 to 2004 those amps were over half of our business”: How the Mesa-Boogie Dual Rectifier defined the high-gain guitar sound of the 1990s

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How to sound like IV from Sleep Token: "He likes long necks and heavy gauge strings, with 084-010s his set of choice to provide a thick, rounded tone"

“Even Eddie Van Halen – god bless him, I love him – was mainly pentatonic. I was radically different”: Yngwie Malmsteen on Rising Force and the introduction of a neoclassical shred icon

“It takes $10,000 a day… the goal of getting on the road, playing in front of fans, outweighs the pain of losing the stuff”: Dweezil Zappa on sacrificing his out-there guitar collection, mixing Hendrix and building an immersive rig

“I remember feeling happy in my heart when I first heard a pedal steel”: Meet Pedal Steel Noah, the teenager going viral with country-fied covers of everything from Judas Priest to Nirvana and My Bloody Valentine

“The pedals I’ve collected take me on a trip through all sorts of beautiful spaceship sounds”: Isaiah Mitchell of Earthless reveals what’s on his pedalboard

“I had a Gibson deal at one point where I could get Les Pauls at factory prices. I would sell them at pawn shops and put the money towards older Les Pauls”: Mike Ness on fighting cancer and the roots influences behind Social Distortion’s self-titled LP

“I was extremely hungover. The producer called me into the studio and had me sit at the desk and do the solo. I was really in pain, but I pulled it off”: Adrian Smith on how Iron Maiden went beyond epic with Powerslave

“I played my guitar in every imaginable way to convey the depth of the game”: 20 of the greatest guitar moments in video games – from Guitar Hero to surprise Joe Satriani soundtracks

“I was very appreciative to be there. But when he transitioned to Let’s Dance, I wasn’t called back. I eventually squared with it, but it was painful”: George Murray on his bittersweet ride with David Bowie

“At that tempo it was like playing a brand-new song. I had to watch Bernard Purdie’s foot!” How Jerry Jemmott stayed on top of Aretha Franklin’s Respect – and recovered from his mistakes – at the Fillmore West in 1971

“There isn’t much guitar at all for the first three tracks. Nobody gave me the memo about what a record should sound like”: How Steve Vai revolutionized guitar with his debut album, Flex-Able