Features Guitar Techniques Download and stream the audio from Guitar Techniques 334 By Guitar Techniques published 1 April 2022 All of the videos, backing tracks and audio from issue 334 of Guitar Techniques, to download and stream Page 6 of 6: Page 6 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Jump To: ACOUSTIC GYPSY JAZZ THEM CHANGES ACOUSTICDOC WATSON STYLE ACOUSTIC COUNTRYVideo performance: Transcription: Backing track: GYPSY JAZZGYPSY JAZZ - REMI HARRISExample 1: Example 2:Example 3:Example 4:Get The Pick NewsletterAll the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsorsExample 5: Example 6:Example 7:Example 8:Example 9:THEM CHANGESTHE I-vi-ii-V TURNAROUND:Example 1:Example 2:Example 3:Example 4: Example 5:Example 6: 1 2 3 4 5 6 Current page: Guitar Techniques Issue 334 Prev Page Guitar Techniques Issue 334 Guitar TechniquesSocial Links Navigation More features“He was a lover of the blues, but it was the Irish side that helped him stand out against Eric Clapton or Peter Green”: What made Rory Gallagher a true guitar one-off – and how he ended up with his first Fender Strat by accidentThe 20 greatest slap bass songs of all timeLatestAC/DC just kicked off their first tour in 8 years with a new bass player – watch footage of their explosive Power Up openerSee more latest ► Most Popular“They can be really useful when trying to tame some top-end”: How hemp cones affect guitar tone and why Derek Trucks, Carlos Santana and Steve Morse are among their fans“I played what I could – I keep pushing myself because I believe in ‘no surrender’”: Judas Priest’s Glenn Tipton on defying Parkinson’s and his partnership with Richie Faulkner“I love Alter Bridge, but more Myles Kennedy’s playing, rather than Mark Tremonti. Myles goes for the gross notes, which I really like”: Meet James Frankland, the classical-loving instrumentalist fusing Rachmaninoff and Guns N’ Roses“I walked up to Tony Iommi and said, ‘Why don’t you just use my amp?’ He saw it was solid-state and said, ‘No, I’m not going to use that!’” Frank Marino on why solid-state amps make the best pedal platforms and starting his own stompbox company“I bought a 1964 Vox AC30 for £300 from a friend whose partner had died. She knew it was worth a lot more, but she wanted me to have it as a memory of him”: Troy Redfern on his most emotional gear finds and his biggest guitar-buying mistakes“I’ve written most Erra records with a Line 6 Spider. I’m not precious about any gear – the first priority is writing good songs”: Dirty fret choices and weird bends are more important to Jesse Cash than geeking out on gear“All those riffs came out with the Mulecaster. An amazing instrument that weighs a ton but sounds utterly timeless and three dimensional”: Folk great John Smith on his life-changing Mulecaster experience and why the Quad Cortex isn’t just for metalheads“This guy came up to me and said, ‘Hi, I’m Jimi Hendrix, can I sit in with your band?’ I said, ‘Well, I dunno – let’s go and find out’”: In June 1968, Jack Bruce came close to forming a band with Jimi Hendrix“When I was younger, I wanted the most expensive stuff… But there’s more character in the player than the equipment”: Loathe’s Erik Bickerstaffe on conjuring impossibly heavy riffs with a Gretsch baritone, Behringer multi-FX and some serious down-tuning“I open the door and there’s this 12-year-old kid, a stringless guitar in one hand, a pack of strings in the other”: How Joe Satriani and Steve Vai met, became fast friends, and changed guitar forever“Karl Sanders taught me there are way more notes you can play during a solo than notes you can’t”: Meet Belushi Speed Ball, the ‘pizza thrash’ band chasing greasy guitar tones and making a pineapple-friendly racket on rare ‘90s Jacksons
