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Kiki Wong

“I gave up hope on any future tours. I threw together a resume and sent it in, thinking it probably would get lost”: Kiki Wong reveals how she nailed her Smashing Pumpkins audition ahead of 10,000 other candidates

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“At the beginning of the band, we were all happy to be there. When we got to writing Ænima, we spent a year and wrote five songs. That, to me, was so frustrating”: Paul D’Amour opens up on his Tool exit – and his unsung contributions

“There’s the Ozzy thing and the Ronnie thing, and then there’s this”: Black Sabbath’s “lost era” didn’t have Ozzy Osbourne or Ronnie James Dio – but it featured some of Tony Iommi’s best guitar playing

“I've been trying to complete an over-the-top, everything-but-the-kitchen-sink, double-neck, 6-string bass, but it hasn’t been easy!” How Michael Manring’s search for new sounds led to the creation of his signature Zon Hyperbass

“Most bass players are boring, standing at the back. I’m not like that because I was a guitarist first”: Lemmy, the godfather of heavy rock, on why he switched from guitar to bass

“My friend called me: ‘You won’t believe this, and it’s probably not gonna happen, but I gave Billy Corgan your number. He might call you, he might not…’” Ginger Pooley reflects on her time with the Smashing Pumpkins – and why she had to give it up

“I look over to the side and see Joe Walsh while we’re playing Rocky Mountain Way, and I’m transported back to being a kid in my bedroom”: Vince Gill on flying high with the Eagles – and why every vintage gear dealer has him on speed dial

“James really absorbed the dual-harmony thing and took it to heart. He made it his but it was originally Cliff’s”: Kirk Hammett on Joe Satriani’s influence and Metallica’s ’84 masterpiece Ride the Lightning

“If I overplayed behind a singer, there’d be a fight outside the venue, or a guy waiting for me with a knife!” Marcus Miller on why bands need to offer a “little more love and support for vocalists”

“I care about my guitar’s wellbeing, but they’re meant to be sacrificed”: Knocked Loose’s Isaac Hale on how his new “hell tone”, a custom Ibanez and ancient mathematics helped the Slipknot support picks reinvent heavy guitar for 2024

“People say, ‘You could afford Buckingham Palace by now if you’d stayed with Genesis.’ But music is its own currency”: Steve Hackett on creative liberation, recording with practice amps and why he used a Brian May Red Special

“This was one occasion where employing fills and chops in a funk tune really paid off”: Listen to Stuart Zender’s isolated bassline on Jamiroquai's Virtual Insanity