“Big jets moving, bombers, people in battle, distress, crying – the Vietnam War added a lot of darkness to his playing”: Kirk Hammett on how Jimi Hendrix’s guitar style helped birth metal and psychedelia

Kirk Hammett and Jimi Hendrix
(Image credit: Christian Petersen / Svenska Dagbladet/ AFP / Getty Images)

Kirk Hammett has made no secret of the influence that Jimi Hendrix has had on his playing. Over the years this influence has been overt, like when Kirk treated audiences on Metallica’s 1989 Damaged Justice Tour to some Little Wing during his solo spot. 

Or that time he enraged hotel guests with a high-volume performance of Voodoo Chile (Slight Return) at 3.14am in one of the highlights from A Year And A Half In The Life Of Metallica Part 2. And then there’s the wah pedal connection, an effect that was inaugurated on record by Hendrix and adopted by the Metallica lead guitarist on his signature lead sound.

We asked Kirk what made Hendrix so different, so unique, a player who, all these years on, remains singular; the one that no one can touch. Kirk took a beat, and said it all had to be with the times Hendrix was living in. 

Hendrix was enlisted in the military training at a time when war was looming in Vietnam. After his discharge in 1962, Hendrix was making music in a society that would be at odds with itself, roiling with peace protests and the civil rights movement, creating a cultural backdrop for a confrontational sound that was dark, psychedelic and powerful.

“I could be completely off the mark on this but I think the fact that he was in the army, and it was during the Vietnam War, and he was all geared up to go to Vietnam and fight,” says Hammett. 

“He was in the [101st Airborne Division] and got out because he injured himself as a paratrooper. I think that the specter of war, the Vietnam War, and battle, was a huge influence on him, sonically. I think that he wanted to capture that huge militaristic sort of force of power in his guitar.

“With songs like Machine Gun and Star-Spangled Banner, it feels like it was kind of like a bit of an inspiration there. Big jets moving, bombers, people in battle, distress, crying; the Vietnam War just added a lot of darkness to his playing, and also I think the civil rights movement added a lot of darkness to his playing.”

And, to Hammett’s mind, there was a visual quality to his playing, too. You heard Hendrix in Technicolor. This, allied to the power and physicality of his sound, created something altogether new.

Kirk Hammett and Jimi Hendrix's father, Al Hendrix

Kirk Hammett and Jimi Hendrix's father, Al Hendrix (Image credit: Robert Knight Archive / Getty Images)

“It’s interesting. When I think about Jimi, he really did start the heavy metal thread,” Kirk says. 

“I believe he was very instrumental in what we now know as heavy metal. But he also created psychedelic music. He definitely created a heavier type of music than what was known at the time. And he pretty much single-handedly created psychedelic music, just by how he played guitar. 

“There was nothing as visual as his guitar playing before him. Maybe The Yardbirds? With Jimmy Page? But the psychedelic stuff that Jimi Hendrix did was like motion color pictures, like movies. Are You Experienced?, the music is so visual, all these images. He created two types of music, just like that! Thank God for that.”

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year 

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Jonathan Horsley

Jonathan Horsley has been writing about guitars since 2005, playing them since 1990, and regularly contributes to publications including Guitar World, MusicRadar and Total Guitar. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.