Listen: Led Zeppelin Preview Unreleased Live Tracks from Deluxe Reissue of 1969 Debut Album

Earlier today, Led Zeppelin's official YouTube channel posted a one-minute clip that contains snippets of the band's October 10, 1969, show at the L'Olympia in Paris.

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Left- Carlos Alomar at club Le Bar Bat on October 1993 in New York City; Right-Rock and roll musician Chuck Berry poses for a portrait holding a Gibson hollowbody electric guitar in a scene from the movie "Go Johnny Go" which was released in June of 1959 in Los Angeles, California

“I had the audacity to say, ‘Are we gonna rehearse, Mr. Berry?’ He whipped around and yelled, ’We don’t rehearse rock ‘n’ roll!’”: Session great Carlos Alomar on his time as Chuck Berry’s rhythm guitarist

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“My band and crew hadn’t worked in three years so we plowed on – eight epidurals later and 180 opium tablets, I made it through the tour”: Blackie Lawless on touring, talking solos with David Gilmour – and that time W.A.S.P. bought 52 Marshall heads

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“I’m sick of people saying Walk On the Wild Side is a classic. I got paid £12, and David Bowie didn’t even show up”: Session bass legend Herbie Flowers on the making of Lou Reed’s 1972 hit – and the hardest session he ever did

“I remember trying a Telecaster and finding the sliding so complicated, like a mountain between one fret and the other. I hated it. That’s why I stuck with Jazzmasters”: Hinds talk learning guitar on the road, recruiting Beck – and rebuilding the band

“If there is a Jane’s Addiction in 2025, there will be new music. But you never know if there’s going to be a band at all”: Eric Avery on overcoming JA’s “unthinkable” time without Dave Navarro and his brief stints with Metallica and Smashing Pumpkins

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Boss discontinued the Katana:GO mere months after launching it – these are 4 headphone amps you should try instead

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“I’ve done somewhere close to 30,000 fret jobs. Holding a crowning file for that many hours a day will tear you up if you’re not careful”: How fixing thousands of guitars changed the way Tulsa blues cat Seth Lee Jones plays the thing

“I couldn’t work with John Lennon and Paul McCartney. I’d end up being beaten to death”: When we locked horns with Lemmy to talk Motörhead, Marshalls and why he wouldn’t fit in with one of his favorite bands

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