Review: Budda Budwah Wah Pedal

Features
By published

This video is bonus content related to the October 2011 issue of Guitar World. For full print reviews, lesson tabs and more, look for the October 2011 issue of Guitar World on newsstands now, or purchase this issue in our online store here.

In this video, Guitar World's Paul Riario reviews the Budwah wah pedal by Budda Amplication.

Paul Riario
Paul Riario

Paul Riario has been the tech/gear editor and online video presence for Guitar World for over 25 years. Paul is one of the few gear editors who has actually played and owned nearly all the original gear that most guitarists wax poetically about, and has survived this long by knowing every useless musical tidbit of classic rock, new wave, hair metal, grunge, and alternative genres. When Paul is not riding his road bike at any given moment, he remains a working musician, playing in two bands called SuperTrans Am and Radio Nashville.

More about effects pedals

“It could be something you could bequeath to those you love”: Red Witch’s Apothecary pedals could outlast every other stompbox on your ’board – and even become family heirlooms

“Its superpower is punching your guitar tone with presence, thickened gain and sustain”: SoloDallas SVDS Boost review

“I remember there was a video of Gary Moore and he played Red House on this Fiesta Red Strat, and I thought it was just the most incredible thing”: Is Toby Lee Britain’s next blues-rock superstar?
See more latest
Most Popular
Toby Lee stands in front of a blue velvet curtain and wears a Breton stripe T-shirt and plays a Gibson Firebird.
“I remember there was a video of Gary Moore and he played Red House on this Fiesta Red Strat, and I thought it was just the most incredible thing”: Is Toby Lee Britain’s next blues-rock superstar?
Steven Wilson plays his Custom Shop Fender Telecaster onstage with Porcupine Tree – that Tele is all over his new solo album, The Overview Effect
“I love the guitar, but essentially it’s an instrument that belongs to the 20th century in many ways. So it’s a question of, what can you do to try to reinvent that vocabulary to make it seem relevant?”: Steven Wilson on the making of a cosmic prog epic
Nicole Fiorentino
“I had big shoes to fill, but I knew I had a lot to offer on my own. I think Billy Corgan saw that in me”: From Veruca Salt to the Smashing Pumpkins and Garbage, Nicole Fiorentino has become alt-rock's go-to bassist
Wednesday 13
“We both wanted to shred. Joey wanted to be as crazy on guitar as he was on drums”: Wednesday 13 on getting his guitar confidence back – with help from some heroes – and the Murderdolls future that never happened
Billy Corgan of the Smashing Pumpkins is haloed by a stage light and wears black as he performs live with his white signature Reverend electric guitar.
“I still use the Strat and Big Muff sound here and there for overdubs, but when I watched Eddie Van Halen play 3 feet in front of me, I learned that it’s about the hands”: Billy Corgan on critics, tone secrets, and how he keeps Smashing Pumpkins fresh
Andy Summers and Robert Fripp Looking at their Hands
“I subsequently became the world’s most famous guitarist with The Police. I wanted to play with somebody else to see how I’d do, like an experiment on myself”: At the height of his ’80s success, Andy Summers needed a challenge – he found Robert Fripp
Fred Tackett
“Dylan asked, ‘What’s the least amount of notes you can play?’ I said, ‘I could play one.’ He goes, ‘Do that’”: Fred Tackett compares his gigs with Bob Dylan, Tom Waits, and Bob Seger, and recalls his friendship with Lowell George
Mark Morton
“Dime is in there. I have a big Eddie Van Halen influence. The same goes for Eric Clapton. It all channels back to the blues”: Mark Morton explains why he’s jamming with Grace Bowers and Jason Isbell on his solo album – and those Gibson signature rumors
James Walbourne and Chrissie Hynde of the Pretenders pose with Telecasters against a mauve background. Hynde wears a Motörhead T-shirt.
“I’d go into a soundcheck, there’d be all these cases open and they’d say, ‘Choose one. We’ll give you a guitar.’ I’d be like, ‘No, thanks. I have a guitar’”: The Pretenders’ Chrissie Hynde and James Walbourne on what it takes to be a real guitar hero
Rory Gallagher's 1961 Fender Stratocaster
I’ve been involved with guitars for decades, and in all that time I can probably count on two hands the vintage instruments I’ve seen with half the finish gone. Has guitar relic'ing gone too far?