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Watch Anthrax's Scott Ian play Slayer's Raining Blood with his 10-year-old son, Revel

It's unlikely that anyone would describe the music Scott Ian makes with his band, Anthrax, as "heartwarming," but the Instagram videos he shoots with his 10-year-old son, Revel, certainly are.

In recent months, Scott and Revel, an aspiring musician himself, have gone viral with father-son covers of Sepultura, System of a Down and – in tribute to the late Taylor Hawkins – Foo Fighters classics.

Now, Scott Ian and Son have taken on one of the great thrashers of all time (the elder Ian cites (opens in new tab) it as the "greatest"), Slayer's Raining Blood. You can check out their take on the metal classic above.

For the cover, the elder Ian notably uses a custom mirror Jackson V electric guitar that he first revealed (opens in new tab) in another Instagram post earlier this month. Not to be outdone, Revel wields a different custom Jackson – a Soloist that features his name engraved on the fretboard. Not a bad starter guitar, eh?

Back in April, Scott Ian teamed up with Jackson – with whom he has long been associated – to give a tour of his wildest and most beloved custom Jackson guitars.

Aside from the Soloist adorned with his son's name, Ian proudly showed off his first custom Jackson, a 1982 Rhoads model that was originally sent to the thrash/hardcore pioneer with a very not-hardcore/thrash yellow-and-black leopard print finish.

Also of note in the collection was a single-pickup NOT Soloist model that features the New York Yankees' logo and is fretless beyond the 14th fret, and a triple-pickup Adrian Smith San Dimas model that Ian used on the Big Four tour in 2010, and is signed by all members of Metallica, Megadeth, Slayer and Anthrax.

“What's so great about the Jackson Custom Shop,” Ian says in the video, “[is that] they really love when you come in with ridiculous ideas and then they actually get to make them real.”

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Jackson is an Associate Editor at GuitarWorld.com. He’s been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player (opens in new tab). Elsewhere, his album reviews and essays have appeared in Louder (opens in new tab) and Unrecorded (opens in new tab). Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. To that end, you can find him on Twitter crowing about whatever great new guitar band you need to drop everything to hear right now.