Charvel launches sleek, minimalist new Pro-Mod DK22 SSS 2PT CM Mahogany with Walnut guitar

Charvel's newly launched Pro-Mod DK22 SSS 2PT CM Mahogany with Walnut guitar
(Image credit: Charvel Guitars)

Back in June, Charvel announced new finish options for four of its Pro-Mod Style 1 electric guitars.

Now, the company has launched the most understated (and possibly the best-looking) of those four instruments, the Pro-Mod DK22 SSS 2PT CM Mahogany with Walnut, to the market.

With a fully natural satin finish, gold hardware and ultra-simple control layout, this six-string looks to be an elegant-but-lean shred machine, so let's take a closer look.

A guitarist plays the Charvel Pro-Mod DK22 SSS 2PT CM Mahogany with Walnut

(Image credit: Charvel Guitars)

For starters, the newly released guitar features a Dinky mahogany body with a figured walnut top, a sculpted "shredder's cut" heel, and a scalloped lower back bout, for easy upper-fret access.

Its caramelized maple, bolt-on neck has graphite-reinforced rods, a heel-mount truss rod adjustment wheel, and a 25.5" caramelized maple fretboard with 22 jumbo frets and a 12"-16" compound radius.

The guitar is powered by a trio of Seymour Duncans – a Custom Hot Rails Strat SHR-1B in the bridge, Custom Flat Strat SSL-6 single-coil in the middle, and a Custom Flat Strat SSL-6 RWRP single-coil in the neck. These are at the mercy of individual volume and tone knobs, and a five-position blade pickup switch.

Elsewhere, the Charvel is outfitted with a Gotoh Custom 510 tremolo, Charvel-branded die-cast locking tuners, and a Graph Tech TUSQ XL nut. All hardware is finished, quite smartly, in gold.

The Charvel Pro-Mod DK22 SSS 2PT CM Mahogany with Walnut guitar is available now for $1,399. Its release comes two weeks after the launch of Charvel's first Jim Root signature model, and one week following the announcement of a new Charvel signature guitar for As I Lay Dying's Phil Sgrosso.

For more info on the model, visit Charvel.

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Jackson Maxwell

Jackson is an Associate Editor at He’s been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player. Elsewhere, his album reviews and essays have appeared in Louder and Unrecorded. Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. To that end, you can find him on Twitter crowing about whatever great new guitar band you need to drop everything to hear right now.