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Cory Wong on the making of his signature StingRay and how Vulfpeck just, y’know, made an album during a show
By David Mead published
The funkmeister guitarist is back with a whirlwind of new recording projects in his wake, and a fresh new signature guitar by his side

“That guitar is magical”: Eddie Martinez explains how he helped Run-D.M.C. bring rock to hip hop
By Andrew Daly published
Armed with his legendary red Hamer, Martinez stepped into one of the most iconoclastic collaborations of the '80s as Run-D.M.C. became the first hip-hop act to bring the crunch of electric guitar into the rap game

4 searing blues guitar solo ideas in the style of Steve Lukather
By Richard Barrett published
Lukather might have made his name in box-office rock and pop, but the blues underpins it all, and this quick-fire tutorial with tab and audio unleashes some serious soloing heat

Joe Genaro on the catchy tunes, humor, and improv behind the Dead Milkmen’s classic 1985 debut album
By Andrew Daly published
Genaro was only a novice when the Philly punk legends tracked Big Lizard in My Backyard, but with an innovative strumming technique he had everything he needed to make their songs hit hard

Pedalboard inspiration incoming... Here are our 30 favorite new guitar pedals from the past 5 years
By Guitarist editors published
We break the glass on the pedal cabinet to dig out a long-list of some of the coolest effects from the new Golden Era of stompboxes
![[From left] Albert Collins, Robert Crae, Johnny Copeland are pictured with their guitars for the cover of their 1985 blues classic, Showdown!](https://cdn.mos.cms.futurecdn.net/LXLhnEv5ajK8P6jFYejjaB.jpg)
Robert Cray tells the story behind the greatest all-star blues team-up of the ‘80s
By Andrew Daly published
In 1985, Albert Collins, Johnny Copeland, and Robert Cray got together for Showdown! – a bona-fide blues classic, and, as Cray tells us, a real fun time, too

Bob Mould on myth vs reality and the making of Hüsker Dü’s New Day Rising
By Jon Weiderhorn published
Tension? What tension? New Day Rising found Hüsker Dü's creativity surging, setting the table for Flip Your Wig. But is it as influential as people say is? Mould is not so sure

How Samantha Fish used raw amp energy and “wild, funky, weird” guitars to make new album come alive
By David Mead published
Paper Doll is the sound of Fish unleashing the riffs and working a newfound confidence with her vocals, and it has some seriously sizzling tones

That Pedal Show’s Daniel Steinhardt reveals his top 5 pedals (from the past 5 years)
By Jamie Dickson published
Looking for some 'board inspiration? Here, the man behind GigRig and one half of YouTube's favorite pedal show gives us his shortlist
![Kiss sans make-up in 1985. With Gene Simmons [left] sticking his tongue out, Paul Stanley looking spaced, and Bruce Kulick taking a solo on a silver Superstrat.](https://cdn.mos.cms.futurecdn.net/akENRCwMmS4SApSFXwSHiQ.jpg)
In 1985, Kiss needed the best and got the best – his name was Bruce Kulick
By Andrew Daly published
It was the no makeup era of Kiss, and after a succession of guitarists, they needed an ace in the pack. Kulick stepped up, and brought his A game. Here he reflects on a pivotal moment in Kisstory
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