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The incredible story of the Les Paul that Dave Navarro bought for his Guns N’ Roses audition – and ended up giving to John Frusciante
By Andrew Daly published
We ask Navarro about the Gibson that featured on the cover of GW's March ’96 issue, and it opens up a whole lot of memories for the former Jane’s Addiction and Red Hot Chili Peppers guitarist

Cory Wong on how to arrange guitar and keyboards
By Cory Wong published
The funkmeister puts Direct Flyte under the microscope to deliver a masterclass in arrangement. It's funk, sure, but there's some operatic influence in there, too, because that's just how Wong rolls

“Reimagined through the lens of a master craftsman”: Bourgeois Slope D Standard T/S review
By David Mead published
The latest in Bourgeois’ Touchstone range has shades of Gibson’s J-45. Will it live up to expectations and carve a legendary niche all its own?

The challenge of amplifying our acoustics has been one of guitar’s great challenges over the decades – are we nearly there yet?
By Michael Watts published
We’ve come a long way from the “plastic piezo ping” – acoustic players today have more options on how to present their sound onstage just as nature intended

Steve Cropper on writing Green Onions, stressing out Brian May and the secret of Billy Gibbons’ guitar style
By Phil Weller published
The co-writer of classics including Green Onions and (Sittin’ On) the Dock of the Bay proved you don’t need technical wizardry to make a mark. In 2024, he walked us through a career marked by hits, groove and soul

Primitive solos, Luchador masks, SpongeBob SquarePants? Meet Los Straitjackets, guitar’s most out-there instrumentalists
By Gregory Adams published
In this shocking exclusive, guitarist Eddie Angel takes you behind the glitter masks of the surfin’, riffin’, fast-pickin’ instrumental combo

The story behind Oasis’ new signature guitars
By Stuart Williams published
The Gibson Les Paul, Epiphone Riviera and Epiphone Sheraton have a deep history with the Manchester rock powerhouse, and this year’s new signature models take us all the way back to the beginning

Kim Deal on finally making her solo debut, working with Steve Albini and why she hates bright guitar tones
By Jim Beaugez published
On her debut solo album, Nobody Loves You more, Kim Deal expands on the sonics she built in the Breeders and Pixies
![[from left] The Byrds’ Clarence White, Skip Battin, Gene Parsons and Roger McGuinn in action in London in 1971](https://cdn.mos.cms.futurecdn.net/UBYneTRLchqapQkXCTFjYm-320-80.jpg)
“Bob Dylan said, ‘Give this to McGuinn. He’ll know what to do with it’”: Roger McGuinn on the making of The Byrds’ countercultural classic
By Andrew Daly published
Roger McGuinn explains how Peter Fonda, Dennis Hopper, Bob Dylan and CBS-era Fender amps all factored into the making of The Byrds’ 1969 classic, Ballad of Easy Rider
![[LEFT] 1966 EMS-1235 with full-scale four-string tenor neck and eight-string mandolin neck. Right: 1961 EMS-1235 with a regular six-string neck and an octave six-string neck.](https://cdn.mos.cms.futurecdn.net/FDaNJGFxekS6EH9te5oeuf-320-80.jpg)
“Some might be thankful they only made one because Gibson didn’t waste any more wood”: Meet the obscure ’60s Gibsons that prove double-necks were a thing before Stairway to Heaven
By Dave Davidson published
Meet the ‘60s Gibson EMS-1235s that prove that doublenecks were a thing before Stairway to Heaven
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