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The history of the Guild Starfire: “the ultimate blues guitar”
By Bob Wootton published
By the late '50s, rock ’n’ roll was in full swing – and so for Guild, a ‘jazz guitar’ maker, it was time to catch up. Enter the Starfire electrics…

H.E.A.T’s Dave Dalone on taking rock back to the future, learning from Gary Moore, and why he's a Kramer man through and through
By Amit Sharma published
They may have titled their latest album Welcome To The Future, but make no mistake, Swedish rockers H.E.A.T are paying homage to the past, with Dalone's scorching riffs and solos leading the way

Debuting in 1955, the Gibson Byrdland was the user-friendly archtop players were waiting for
By Huw Price published
As one of Gibson’s first thinline archtops, the Byrdland inspired the 330, 335, and more

Classical and nylon-string guitar: an introductory guide for the perplexed
By Jamie Dickson published
Three masters from the International Guitar Foundation explain the differences between classical and flamenco guitars, and talk through the essential techniques and terminology

20 ways to get more from your pedals
By Jamie Dickson published
From tone-tailoring to buying what’s right for you, here’s our guide to putting more of what counts on your ’board

The first time I met Brian May – and we were both wearing clogs
By Neville Marten published
It was 1985, and Brian May was the most high-profile musician our own Neville Marten had yet interviewed. He had a fresh tape. He left in plenty of time. But it didn't quite go to plan... Luckily, the Queen guitarist was a good sport

Brian May on how astronomy, the Everly Brothers and Freddie Mercury influenced his Gibson SJ-200
By Neville Marten published
The Queen guitarist's signature model is a super-rare example of a 12-string Gibson jumbo, replete with May's own aesthetic flourishes. But why is it strung like a Ricky? Here, May explains all

Jared James Nichols on the art of the riff and what Eddie Kramer told him about songwriting
By Jared James Nichols published
The fingerstyle blues-rock phenom shows us how open drone strings and simplicity can be used to write a riff that you can build a whole song around, just as he did on Honey Forgive Me

Johnny Hickman on his pre-Cracker band, the Unforgiven, revisiting the Cracker catalog, and big, bone-headed riffs
By Joe Bosso published
Re-recording their catalog for the epic Alternative History, Cracker are taking control of their own story, and it's one that begins with a riff and their own Mick and Keef creative chemistry

Lita Ford on the only amp she ever returned, and why she didn't ask for her stolen Mockingbird back
By David Mead published
The rock icon talks all things gear, like that time she lied about her age so she could earn money for an SG, Neal Moser's badass B.C. Rich custom jobs, and why she returned a Kerry King Marshall
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