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By Stuart Ryan Published
The late music icon had a distinctive approach to country rhythm, using alternating bassline picking and bluegrass soloing techniques

By Amit Sharma Published
Traces of the Flood is produced by Kevin Shirley, features Louw making the most of a third guitarist, and channeling his Dylan influences for one of the most breathtaking records of 2026

By Joel McIver Published
In their own words When David Bowie needed a unique guitar voice for Heroes, he called Robert Fripp. In his own words, the King Crimson founder recalls those heady days “by the Wall”

By Joe Bosso Published
Patrick Simmons on why some Doobies weren’t originally gung-ho about appearing in those classic 1978 episodes of What’s Happening!!

By Jacob Paul Nielsen Published
Cut Worms' new album, Transmitter is sound of the fast-rising Brooklyn artist surrendering to collaboration and chasing new tones

By Andrew Daly Published
The Blur guitarist reflects on his “wooden wife” – and the charms of the Tele’s weird headstock

By Amit Sharma Published
From lightbulb moments to the Amp Intelligence tech that turns cellphone snaps into sound, the Californian amp-builders tell GW about their wild 15-year ride

By Andrew Daly Published
Pros pick their favorite Tele riffs and solos and decide who should be carved into that massive “Telecaster Mount Rushmore” that exists only in our deranged minds

By Andrew Daly Published
With new solo album Not Bad For New Jersey out next month, the Gaslight Anthem frontman checks in and discusses his love for the Telecaster, and Keith Richards

By Joe Matera Published
Rescued from the vaults, this lost interview with Elliott Randall sheds new light on the “craziness” of Steely Dan’s first sessions – and the disaster behind the Reelin’ In the Years solo
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