Features
Latest Features

How the Dirty Nil’s sound runs on vintage Marshall power and a healthy serving of the Rat pedal
By Jim Beaugez published
Weaned on the Stooges, Luke Bentham developed a taste early on for any player who could “peel paint” from the walls. Here, he walks through the high-volume approach behind the Dirty Nil's latest, which originally provoked a cease-and-desist from the Holy See...

Richard Oakes on the making of Suede’s 1996 Brit-pop classic Coming Up
By Andrew Daly published
Guitarist Richard Oakes arrived in the band as Bernard Butler's replacement – a relative rookie. Suede were supposedly cooked. And yet in songs like Trash and Beautiful Ones, they had something special indeed

How fast-rising blues ace Laura Chavez found her voice on guitar
By Damon Orion published
On her solo debut, the longtime backup musician proves she’s got far more than the blues in her bag

38 bassists appeared on Bob Dylan albums before Tony Garnier came onboard. In the 37 years since, no others have
By Chris Jisi published
With a career backing artists like Bob Dylan, Dr. John, Chuck Berry, and Tom Waits, Tony Garnier is a walking textbook of bass history

Marshall Crenshaw on his Karen Carpenter tribute, why collecting is "infantile" and how he was made in Detroit
By Joe Bosso published
From the Hellhole collects deep cuts and EP tracks from the ’10s and it presents a unique insight into an artist who believes FM ruined radio – and who would do as many takes as it took

Joe Perry tells all about that “too cool” electric you saw on MTV when Walk This Way came on
By Andrew Daly published
The Aerosmith guitarist's mid-’80s X-100 Blade Runner is so cool it makes you wonder why Guild doesn't bring it back

Gary Shea’s never-say-never approach to Alcatrazz, New England… and maybe even Vinnie Vincent
By Andrew Daly published
The left-handed bassist discusses the pitfalls of being with Kiss’ management, selling his Ampeg gear to Malmsteen’s band, and releasing a record that shows what might have been with Vincent

When Bakithi Kumalo got the call to audition for Paul Simon’s 1986 multi-platinum album
By E.E. Bradman published
Kumalo had been helping out a local mechanic when he was invited to Ovation Studios in downtown Johannesburg
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