“He was horrified, saying, ‘Doug, your tone is atrocious!’”: Sideman to the stars Doug Rappoport reveals the classic rock icon who persuaded him to up his gear game

Doug Rappoport performing live on stage as part of blues rock supergroup Supersonic Blues Machine at Notodden Blues Festival in Norway, on August 6, 2016
(Image credit: Rob Antonello/Guitarist Magazine/Future)

In-demand session player Doug Rappoport's career has been marked by happenstance. “I got into sessions kind of by accident,” he divulges in a soon-to-published interview with Guitar World.

“For me, music was such a solo journey; I didn’t have any mentors or anyone to measure myself against. I didn’t know if I was any good, so by the time I was 18 or 19, I was just trying to find out if I had what it took.”

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“I was pretty green when Edgar hired me,” says Rappoport. “I was younger than the rest of the guys in the band by quite a bit.

“Edgar saw potential. I’d pester him, saying, ‘How am I doing? What can I improve on?’ I watched those guys closely and learned a lot about rhythm guitar, chord voicings, and tone. And I heard a lot of stories of rock ‘n’ roll debauchery.”

“I had that same beat-up old Strat, and a digital Yamaha amp,” the session player admits. “We did a short tour, and I shipped that amp, and Edgar was horrified, saying, ‘Doug, your tone is atrocious!’ I think I just called someone, and said, ‘Hey, I’m in Edgar Winter’s band, can you give me a nice deal on an amp?’” he adds with a laugh.

Janelle Borg

Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology and how it is shaping the future of the music industry, and has a special interest in shining a spotlight on traditionally underrepresented artists and global guitar sounds. She also had the pleasure of interviewing Melissa Auf der Maur, Yvette Young, Danielle Haim, Fanny, and Karan Katiyar from Bloodywood, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her Anglo-Maltese, art-rock band ĠENN.

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