“I got tired of carrying different guitars with me. It’s delightful”: Skunk Baxter is a session legend – and his cutting-edge guitar rig probably isn’t what you expect

Jeff "Skunk" Baxter
(Image credit: Getty Images)

Having established himself as a go-to session player for stars as diverse as Eric Clapton, Gene Simmons, and Donna Summer, Jeff “Skunk” Baxter has come to rely on gear that’s just as versatile as his shape-shifting playing – and his surprising guitar rig is absolutely loaded with Roland equipment.

Spilling the tea in the new issue of Guitarist, Baxter explains why a little Roland magic has helped cater to all his tonal needs, and why that trend continues through to his amp and pedal choices.

“My main guitar is a Roland G-5, which is a Fender Stratocaster that has modelling electronics in it,” he reveals. “It's a project we did some years ago at Roland because I got tired of carrying different guitars with me. It’s delightful.”

“I can have an electric 12-string,” he says of the G-5's functionality, “drop it down to a baritone, be able to have a nylon-string guitar, to just hit the switch and go to an open G…”

It’s also a viable tool for slide guitar, and its trio of single-coils can be rebuffed to sound like humbuckers, with Tele and Strat sounds both baked into the guitar as a part of a library of pickup replicating sounds.

Jeff "Skunk" Baxter

(Image credit: Getty Images)

“I spent a lot of time working on that design with Roland and customising it,” Baxter relays, “it's exactly what I want.

“And as far as pedals are concerned, many, many years ago, one of my first projects with Roland was to develop the GP-10 [Guitar Processor] multi-effects pedal. And to this day, I still use it. I love it.”

Roland GP-10

(Image credit: Roland)

Naturally, some purists may turn their nose up at such a tech-infused rig, but when your day job is as stylistically diverse as Baxter's, it's hard to argue with him craving a little battery-powered versatility.

Elsewhere in his Guitarist interview, Baxter recalls how he once ended up choosing a budget beginner guitar over a vintage Telecaster.

To read Baxter's interview in full, head over to Magazines Direct to pick up a copy of Guitarist magazine.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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