“I walked in at about 2pm and George Harrison and Kim Basinger were there hanging out. I noticed this little guy wearing leather gloves and a hooded surfer's sweater”: Slash on that time he was invited to play on a Bob Dylan record

Left–Slash performs live playing guitar on stage at the Gibson Night of 100 Guitars centenary concert at Wembley Arena in London on 26th June 1994; Right–Bob Dylan with a Strat circa 1990
(Image credit: Left–Brian Rasic/Getty Images; Right–KMazur/WireImage/Getty Images)

Slash might be best known for his solo and Guns N' Roses work, but there's no denying he's also the ultimate collaborator. From his work with Michael Jackson, to trading licks with Iggy Pop and even whipping up a solo on I’m Just Ken from the 2023 blockbuster Barbie, Slash has racked up his fair share of credits.

As such, it takes a lot for Slash to be starstruck. However, he couldn’t help but do “a double take” when he was invited by producer Don Was to feature on Bob Dylan’s 1990 release, Under the Red Sky, and walked into a session full of legends.

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Yet, he nearly missed Dylan himself. “Next, I noticed this little guy wearing leather gloves and a hooded surfer's sweater, which struck me as odd because it was warm out. Finally, I realized it was Dylan. I thought, ‘What's going on here?’”

Slash described Dylan as “pretty quiet” while “George was laying down some slide, and we started just getting drunk and stuff.” Slash was asked to play on a song with “a pretty silly title, Wiggle Wiggle.”.

“I just learned it on the spot,” he remembered. “It was such a simple [song], yet superb.”

Wiggle Wiggle - YouTube Wiggle Wiggle - YouTube
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Yet, Dylan had a very specific direction in mind which took even Slash by surprise.

“When I went to play the lead, Bob came up and asked me to play like ... [incredulously] Django Reinhardt! l couldn't figure out where he was coming from. I didn't hear that at all!” he recalled.

“So basically, I just laid down the part I thought should be there. Everybody seemed to be happy with it. It was just a funny day, but the song got done.”

The solo was eventually left on the cutting room floor as Dylan thought it sounded too much like Guns N' Roses.

However, in a more recent interview with Gibson, Slash said that he’s more than grateful for the experience, as, legends in one room aside, “at that time, I hadn't done a lot of session work and it was a great learning experience.”

And, speaking of Slash, one of his crew members revealed what it takes to tech and tour with him.

Janelle Borg

Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology and how it is shaping the future of the music industry, and has a special interest in shining a spotlight on traditionally underrepresented artists and global guitar sounds. She also had the pleasure of interviewing Melissa Auf der Maur, Yvette Young, Danielle Haim, Fanny, and Karan Katiyar from Bloodywood, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her Anglo-Maltese, art-rock band ĠENN.

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