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Originally recorded as a B-side, bassist Billy Cox played a pivotal role in this riff-driven blues by guitar legend Jimi Hendrix
Hendrix named the track after the Olympic White Fender Stratocaster he wielded during his iconic Woodstock set
“There was a time you wouldn’t have touched a Superstrat”: How Chris Shiflett learned to love his inner shredder
The Foo Fighters guitarist discusses playing with Brian May, the lessons of his podcast – and how his new Cleaver Telecaster Deluxe got its name
London jazz ace Artie Zaitz on why the amp is an instrument, too, and how he learned to love mistakes
Zaitz's debut album, The Regulator, introduces a prodigious talent on guitar, and he is backed by some of the best players in the capital's jazz scene
Steve Vai gives his seal of approval to the viral Hungarian high-schooler who nailed For The Love of God at his school prom
Laci’s flawless performance of the gruelling fretboard workout has attracted the attention of the man who composed it
How husband-and-wife duo the Courettes became one of the most exciting bands in the garage-rock underground
Guitarist Flavi Couri details the retro gear and inspirations behind the Courettes’ garage-rock expansionism – a sound that references Motown, Phil Spector and ’60s power-pop
Guns N’ Roses are hitting the road in 2025 – and they’re bringing punk and hip-hop legends with them
Having last played live in 2023, Guns N’ Roses will play stadiums around the world – incorporating a number of countries the band have never played in before
Robert Smith on his disastrous first show as a singer and guitarist when he butchered a Jimi Hendrix classic
Smith only carried on fronting the band because he’d fallen out with everyone who filled the role
“I was docked three weeks’ pay”: Jeff ‘Skunk’ Baxter recalls the questionable guitar deal he made when he first met Jimi Hendrix
A young Baxter was working in a local guitar store when Hendrix came searching for a new guitar
Steve Hill on the time he recorded at Foo Fighters’ studio – and broke Chris Shiflett’s prized Fender Princeton
Hill’s experience of recording at the Foo Fighters’ legendary Studio 606 turned into a costly endeavor
Dimebag Darrell discusses his love of soloing – even when it was uncool – and dishes advice in his final interview
20 years ago, we lost one of guitar's brightest, most gregarious talents to a horrific act of violence. In his final interview, Dimebag Darrell reflected on the changing nature of the business, and the wide musical palette that informed his oft-imitated playing
