Jackson Maxwell
Jackson is Operations Editor at GuitarWorld.com. He’s been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player. Elsewhere, his album reviews and essays have appeared in Louder and Unrecorded. Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. To that end, you can find him on Twitter crowing about whatever great new guitar band you need to drop everything to hear right now.
Latest articles by Jackson Maxwell

By Jackson Maxwell Published
1983's Infidels, Dylan's first secular album in half a decade, was graced with a bounty of sweetly tasteful leads from the Dire Straits man. To recreate two of its songs on Late Night with David Letterman, Dylan hired LA punks the Plugz

By Jackson Maxwell Published
Half of the enormously successful duo Amadou & Mariam, Bagayoko developed a powerful guitar style that blended classic rock influences with more traditional West African sounds, jammed with David Gilmour, and collaborated with Damon Albarn

By Jackson Maxwell Published
One of the most distinctive (and underrated) blues guitar players of his era, Jeff Healey adopted his radically unconventional approach to the instrument at a very young age

By Jackson Maxwell Published
Though he'd also later work with Carvin, Holdsworth remained a headless guitar devotee for the rest of his life, telling Guitar World in an interview just days before his death, “Once you play a headless guitar, you’ll never want to play a regular guitar again”

By Matt Owen Published
Andertons, Orange, Positive Grid, and more have all taken the festivities seriously this year, with a range of silly stompboxes and wacky gadgets that will tickle your funny bone

By Michael Astley-Brown Published
A round-up of March's best and most exciting guitar-led cuts from the likes of YUNGBLUD, Sleep Token, Samantha Fish, Great Grandpa, Rachel Chinouriri, Joe Bonamassa, Mickey Callisto, and many, many more

By Jackson Maxwell Published
A guitarist with a particularly vested interest in Robert Johnson and Crossroads (the song), expressed his distaste with the movie of the same name in the pages of Guitar World

By Jackson Maxwell Published
For what would become his fifth solo album, Ocasek reached out to Smashing Pumpkins mastermind Billy Corgan, and came away impressed by his arranging talents and technical abilities

By Jackson Maxwell Published
A Texas federal jury once again sided with Gibson, rejecting Dean's argument that the former's Flying V, Explorer, and SG guitar shapes are generic in the minds of the guitar buying public

By Jackson Maxwell Published
Ever humble, the late guitar legend told GW in a 1982 interview that he felt many of his contributions to the album “lack feeling”

By Jackson Maxwell Published
Given that this was a guitarist who had already broken new ground in amp volume, the intimidation Satriani felt was definitely understandable

By Jackson Maxwell Published
Though their respective brand and model loyalties stood in the way of them swapping licks on that particular evening, that show sparked a years-long musical relationship that would span the stage and studio

By Jackson Maxwell Published
Harrison told GW that while he was happy to improvise when needed, when it came to laying something down in the studio, he was far more comfortable charting out a path in advance

By Jackson Maxwell Published
Page had known Joe Walsh, then a budding guitar hero with the James Gang, since his pre-Zeppelin days with the Yardbirds. And Walsh had a proposition for him

By Jackson Maxwell Published
As a member of the Kennedy Center house band, Fontayne – best known for his tenures with Bruce Springsteen and Lone Justice – played lead guitar on Heart's legendary cover of the none-more-iconic eight-minute epic

By Jackson Maxwell Published
Springsteen had seen Fontayne perform with Lone Justice on Saturday Night Live years before, and was impressed. When the time came to put together a new band, Fontayne was one of his first calls

By Jackson Maxwell Published
Hinds co-founded the band with guitarist Bill Kelliher, bassist Troy Sanders, and drummer Brann Dailor in 2000

By Jackson Maxwell Published
During his brief time with the Damned, James authored songs like New Rose, considered one of the foundational anthems of punk

By Jackson Maxwell Published
Used to experimenting and improvising onstage, Gilmour suddenly found himself juggling a multitude of new responsibilities, and, on one occasion, dodging burning drapes...

By Jackson Maxwell Published
Keeping its 40th birthday party going, PRS has added both visual and sonic upgrades to one of its foundational designs

By Jackson Maxwell Published
In addition to his time with the early '70s hitmakers, Molland worked independently with all four Beatles, playing guitar on George Harrison's All Things Must Pass and John Lennon's Imagine

By Jackson Maxwell Published
As Cream began to disintegrate barely two years into their existence, the enormously successful band's managers were desperate to keep them going

By Jenna Scaramanga Published
Thin Lizzy are tough enough for punks, heavy enough for metalheads, poetic enough for romantics – and their catchy riffs and licks have been played by some of the finest guitarists on earth

By Michael Astley-Brown Published
A round-up of the best new guitar releases from the month of Feb, with new cuts from Sam Fender, Tash Sultana, Los Pirañas, and... Buddy Guy and Switchfoot?

By Jackson Maxwell Published
Clandestine meetings, dramatic TV pleas, ransom demands, hurried getaway drives across the Mexican border... it sounds like a thriller, but it all revolved around a very special Les Paul
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