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Latest Features

Plini answers the call of the wild in search of instrumental guitar’s new frontier
By Gregory Adams published
The Australian virtuoso on dream collabs with John Mayer, high-BPM workouts, and what happened when he imagined “a cello player in a huge, empty concert hall playing this difficult arpeggio”

The Doobie Brothers on their many imitators, their many hits, and what keeps them going
By Joe Bosso published
Ahead of their tour with Carlos Santana, Doobie Brothers guitarists Tom Johnston, Patrick Simmons, and John McFee revisit their classic tracks and how they came together

“I got the phone call – I was out”: Bob Daisley recalls his rollercoaster years with Ozzy Osbourne
By Andrew Daly published
The Blizzard of Ozz bassist and co-writer on the time he was dismissed only to be re-hired days later – and his thoughts on Randy Rhoads, Jake E. Lee and Zakk Wylde

George Lynch on his custom ESP that’s too valuable to leave the house
By Andrew Daly published
Mr Scary on how his heart melts for the 1990 ESP Custom Haji/Wicked Sensation from the cover of Guitar World's November 1990 issue

Berton Averre on writing My Sharona – and why the Knack were never the next Beatles
By Joe Bosso published
My Sharona was the perfect pop-rock anthem, and as Averre reflects on the life and times of the Knack he admits he knew he had something special back then

Charles Spearin on how Broken Social Scene embrace “the ridiculousness” of everyone playing guitar
By Gregory Adams published
The multi-instrumentalist and indie lynchpin recalls his early gear, how BSS make sure every guitarist gets their say, and explains why Remember the Humans is deliberately difficult to work out

14 ways to improve your Telecaster: tried and tested methods to get more out of Fender’s original mod platform
By Huw Price published
Players were already modifying their Telecasters in the 1950s, and a thriving aftermarket parts industry provides countless ways to enhance playability, reliability and tone

Suzi Quatro on the spirit that’s driven her, and the moment of fate that made her a bassist
By Andrew Daly published
She reflects on never having learned to play with a pick, using her late drummer’s kit to keep his vibe, her son’s influence as a bandmate, and the three quotes she’s given about retirement
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