Photo Gallery: Metallica from the Big Four at Yankee Stadium

This past Wednesday, September 14, was a historic night for heavy metal. The Big Four of thrash -- Metallica, Slayer, Anthrax and Megadeth -- took the stage at Yankee Stadium for arguably the biggest, most-anticipated metal show the East Coast of the United States has ever seen.

In case you missed the action, or just want to relive it, be sure to check out our Big Four live blog here. And now, thanks to photographer Stephanie Cabral, you can check out a full photo gallery of Metallica's set at Yankee Stadium, below!

If you haven't picked up your copy of our November issue, which features members of the Big Four on the cover, what are you waiting for!? You can get your copy right now at our online store.

All photos: Stephanie Cabral

Image 1 of 36

More about bands

“I knew the spirit of the Alice Cooper group was back – what we were making was very much an album that could’ve been in the '70s”: Original Alice Cooper lineup reunites after more than 50 years – and announces brand-new album

“The rest of the world didn't know that the world's greatest guitarist was playing a weekend gig at this place in Chelmsford”: The Aristocrats' Bryan Beller recalls the moment he met Guthrie Govan and formed a new kind of supergroup

“I left without a penny to my name. I was bitter for a while, but I’ve got a great legacy”: Though Pete Quaife gets credit for jumpstarting the Kinks bass chair, John Dalton and Jim Rodford pushed the band forward on many of their classic albums

See more latest

Most Popular

English rock group The Kinks, from left, Ray Davies, Pete Quaife, Mick Avory and Dave Davies (playing a Vox Phantom XII 12 string guitar) perform on the pop music television show Thank Your Lucky Stars for ABC Television at Alpha Television Studios in Birmingham, England in 1965. The band members are all wearing matching red jackets and pink shirts.

Clarence Gatemouth Brown performs at the Santa Cruz Blues Festival at Aptos Village Park in Aptos, California on May 27, 2000

“Chuck Berry's not a very good guitar player. He's a clown. He runs all over the guitar, just like any one of these old rock players would do, and makes no sense”: Clarence “Gatemouth” Brown pulled no punches when speaking about his fellow guitar heroes

“I said, ‘Merle, do you remember this?’ and I played him his song Sweet Bunch of Daisies. He said, ‘I remember it. I've never heard it played that good’”: When Roy Clark met his guitar hero

“I asked Marcus to sing on it. As amazing as he is on bass, I think he’s underrated as a vocalist”: Having earned lofty status in bass-hero circles, Marcus Miller lent his vocal chops to Hadrien Feraud’s solo album

“I was playing stuff I don’t think James Brown understood. He told me, ‘You have to play the one – you’re playing too much’”: Six years after he quit touring, Bootsy Collins reflects on James Brown and George Clinton, and what he gets out of playing today

Geordie Walker of Killing Joke performs with his Gibson gold-top Gibson ES-295 with the Mary Kaye pickguard.

“This guy kept calling saying, ‘I’ve never been in a band before, but I’m the best guitarist ever.’ When I heard him play it was like a fire from heaven”: The life and times of Killing Joke visionary Geordie Walker – the guitar hero’s guitar hero

Bad Cat's late amp designer Mark Sampson on the shop floor: Sampson is widely credited as being one of the godfather's of the boutique amp movement.

“There’s no doubt in my mind that Mark Sampson was the father of the boutique amp revolution”: An interview with the late, great Mark Sampson, the trailblazing amp designer behind Bad Cat and Matchless

“I’ve never bought a guitar and I’m quite proud of that! I always tell people when they’re learning: there’s a guitar not being played”: Meet Sacred Paws’ Ray Aggs, the dextrous Tele-wrangler inventing new chords and capturing Thurston Moore’s imagination

EHX founder Mike Matthews stands in a warehouse with his fists in the air. He wears a tan jacket and has a trademark cigar in his mouth.

“Jimi was staying at a hotel in Times Square. He had his hair set in pink curlers and we would just talk band drama”: Electro-Harmonix founder Mike Matthews on befriending Hendrix, booking Chuck Berry and the birth of pedal culture

“I didn’t use any amps. The pedal that saved me was the Boss Super Overdrive”: How Yves Jarvis made 2025’s most exciting experimental record so far with a $50 Explorer knockoff and an unbelievably weird tuning

Get The Pick Newsletter