Report: Metallica Triumph at First Annual Orion Music + More Festival

When Metallica announced their first-ever music festival, it's safe to say there was a healthy dose of skepticism from fans and press alike when they discovered the lineup was far from metal-centric.

Boasting a two-day schedule that included indie rock, comedians, metal bands of all stripes, alternative rock, blues and even a brass ensemble, many balked at the band's attempt to bring a "European style" festival to the States.

Walking between stages only a few hours into Day 1 of the inaugural Orion Music + More festival, Suicidal Tendencies' manic skate-punk behind me slowly melding into the dulcet, Northwestern indie-rock of Modest Mouse, it was clear they had pulled it off. (Among the first things I saw walking into the festival was two guys in Ride the Lightning T-shirts arguing over the merits of their favorite Modest Mouse records.)

"Metalheads need to broader their horizons a lot of times," said The Sword's Bryan Richie after their Saturday set on the festival's Fuel stage. "People who listen to metal all the time could maybe stand to hear a Best Coast song once in a while."

It's hard to understate how much Metallica put their stamp on the entire weekend. Not just in the stage names and the lifestyle tents — which were resounding success and featured hundreds-deep lines all weekend long — but most of all in the spirit of camaraderie throughout the weekend.

"My first reaction was, 'Holy shit,'" said The Gaslight Anthem guitarist Alex Rosamilia. "The first song my first band ever tried to cover was 'Creeping Death.'"

Even Best Coast's laid-back set featured a shout out to the festival's hosts, with songstress Bethany Cosentino pumping up the crowd by saying, "I remember a live Metallica video where James said, 'Make some noise if you give a shit!'"

Avenged Sevenfold brought pyro and enough fireworks for a small 4th of July parade to their set Sunday night, which, combined with the band's trademark high-intensity live performance, made their set easily the most well-attended non-Metallica set of Orion.

"It's crazy to think in a few hours I'm going to be on the Frantic stage doing comedy for a bunch of crazy, sweaty metal heads," said Florentine's That Metal Show co-host Don Jameison before his set, "but somehow it feels right."

Whether they were playing to an audience of rabid fans or a field of crossed arms and "impress me" looks, every act on the Orion bill made the most of their sets. Even Arctic Monkeys, who drew the deceptively unfortunate second-to-last time slot on Saturday night, playing a high-energy show until the last song, even as festival goers streamed away with each passing minute to make sure they got a good spot for Metallica's first set of the weekend, during which they would play 1984's Ride the Lightning in its entirety.

"This is groundbreaking right here," said James Hetfield as the band prepared to launch into "Escape." "This is historical."

"Escape," the sixth track on Ride the Lightning, has never once appeared on Metallica's setlist, with Hetfield calling it a track the band "never wanted to play live ever."

Before taking the plunge and hitting that first power chord, Hetfield would add a few words that not only represented how the band felt about "Escape," but likely the entire weekend. "We're not afraid," he said. "We're just hoping it's good."

Josh Hart is a former web producer and staff writer for Guitar World and Guitar Aficionado magazines (2010–2012). He has since pursued writing fiction under various pseudonyms while exploring the technical underpinnings of journalism, now serving as a senior software engineer for The Seattle Times.