News archive
June 2025
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10 articles
- June 2
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- “There are so many musicians that, live, you could be blown away by, but once they get into the studio, they can’t come up with parts that will last”: Andrew Watt on the essential studio skill that’s enabled him to work with rock gods and pop icons alike
- “I’ve never been very confident as a player. I’ve always felt like I had to work hard”: Alex Lifeson is one of the greatest guitarists of his time – but he says he’s often lacked faith in his skills
- “My guitar was busted up on the flight – totally destroyed. When I got to Nashville and told Dan Auerbach, he said, ‘Try something new’”: After her beloved Gibson was ruined on a flight, Valerie June found new inspiration in this iconic acoustic brand
- “I wake up the next morning and my SUV is gone. We had just opened a show for Vince Gill, and he'd signed my Telecaster”: Rascal Flatts’ Joe Don Rooney had just finished a run of shows with Chely Wright – when his very first guitar got stolen
- I’m a professional gear reviewer and my go-to guitar wireless system just got a generous 20% off – here’s why I use it daily
- “Aggressive cutaways, an ultra-thin body, and extreme arm bend”: Kiesel launches the Kyber – a futuristic metal guitar that’s its answer to Strandberg and Abasi Concepts offerings
- “I’ve been stumped to understand how this worked. He didn’t seem to fret notes, so how was he producing chords?”: David Lynch's Parker Fly is up for auction – and it solves one of the big mysteries about his playing
- “The owner refused to believe me and called me a liar. Then I realized the craziest thing...” This luthier was offered the chance to buy a ’90s Les Paul, but something didn’t feel right – it turns out he had the ultimate proof to hand
- June 1
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- “I’d go down to Manny’s, pick up a Stratocaster and say, ‘This is like a dead tuna’”: Why Larry DiMarzio decided to start a pickup line that would change the face of guitar music in the 1970s
- “You will pick one up and realize it almost sounds too good. There’s something to be said for guitars that are challenging to play”: Dean DeLeo explains why the ‘worst’ guitars are also sometimes the best
