Get this striking D’Angelico Grateful Dead DC semi-hollow half-price at Sweetwater

(Image credit: D'Angelico Guitars)

D’Angelico’s relationship with Grateful Dead legend Bob Weir has yielded a variety of wild signature guitars, but none are quite so eye-catching as this Dead lightning bolt-adorned Premier DC semi-hollow, now offered at half-price - down from $999 to $499 - at Sweetwater.

Available for a limited time only ahead of the Black Friday guitar deals bonanza, this electric is kitted out with a red, white and blue finish across the top of its all-maple body, while the back is all blue.

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism from Cardiff University, and over a decade's experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.

Latest

Chris Wolstenholme of Muse performs during the 2017 Lollapalooza Day One at Grant Park on August 3, 2017 in Chicago, Illinois.

“I tried it fingerstyle, and that didn't work. As a joke, somebody said, ‘Why don't you try slap bass?’ Everyone was laughing. Then we went back and listened to it…” Chris Wolstenholme switched up his tone and technique on Muse’s The Resistance

See more latest ►

“The world's most authentic amp models, no UA hardware required”: Universal Audio takes its Edge-approved amp pedals to the digital realm for the first time with $299 plugins

“I played a Gibson SG Junior. It was the guitar I used in my punk band – when my apartment got broken into in New York, it got stolen”: Yes, Rick Rubin played the opening riff on Beastie Boys’ No Sleep Till Brooklyn – he looks back at recording a classic

“Blazes a trail into new sonic territory”: Fender Japan gives the Cabronita Telecaster a radical mini-humbucker revamp by loading the Gretsch/Fender hybrid with new high-end pickups

“There seems to be an idea among guitarists that something as remarkable as a box that creates a perfect echo is old, played out or overused”: Why Jonny Greenwood downsized his rig to just a guitar, amp and delay pedal to write the Smile’s new album

“Jimmy Page was in the control room window, waving madly. I was in the middle of the solo, and I thought, ‘Sorry, but I can’t stop.’ I just turned my back”: Martin Barre on the time Jimmy Page nearly cut him off mid-Aqualung solo

“He had it in a case and said, ‘I don’t play it. Do you want it?’ I was like, ‘There’s no way I can take that from you’”: Olivia Rodrigo guitarist Daisy Spencer reveals how a stroke of good luck landed her the 1972 Fender Strat she plays onstage

“I’ve always said that I don’t play the guitar, I play the string”: John Mayer ends years-long search for his ultimate string set with the Ernie Ball Silver Slinky – a new signature set that brings the guitar hero’s custom gauge to the masses

“The world's greatest guitarist is what everyone says. It's kind of a dicey title. You never liked it”: Alex Van Halen reveals the unease Eddie felt with being labeled the best guitar player on the planet in new excerpt from tell-all memoir

“It's tough for me to talk about giving them up... They came in my life at different times, but they all had meaning”: George Benson is selling his studio-and-tour-used rare and vintage guitars

“I don’t think he was very happy about the situation. I would hope he might have thought, ‘Oh well, at least somebody that can write a good song has taken my part’”: Crowded House’s Neil Finn on replacing Lindsey Buckingham in Fleetwood Mac

“There was this thing I was trying to create that didn't exist”: Gretsch and super-producer Jack Antonoff combine the Fender Jazzmaster with an oddball vintage Gretsch to create the Grammy-winner’s “dream” signature guitar

Get The Pick Newsletter

Most Popular