If being surrounded by talented songwriters of all genres sounds good to you, you might want to check out the ASCAP "I Create Music" Expo. Aimed at arming songwriters with tools for success, the Expo takes place in Hollywood from April 30 to May 2. A highlight of the event is the She Rocks Showcase, a free performance event taking place on Friday, May 1, from 9pm to 12am. It's open to the public with no Expo badge required.
Stephen Stills’ status as a rock legend stems just as much from his singing and songwriting contributions in Buffalo Springfield, Crosby, Stills & Nash (and Young) and his own solo work as it does from his innovative acoustic and electric guitar offerings.
While Don McLean was recording “American Pie,” the eight-minute-plus song that brought him stardom in late 1971, his label, Media Arts Records, went under. Understandably, the situation put a damper on any great expectations McLean had for the song. “I wasn’t thinking of releasing or editing it,” he says today. “My expectations were that I would be looking for a record company.”
Last year I accomplished my dream of playing festivals. I’ve already done four in the last year. Somehow I instinctively knew how to manage my first one. Whatever I suggest here is what worked for me as a current solo artist. Some things will work for everyone, some won't. But here are 11 ideas you can try out.
Lisa Loeb's career spans decades. Twenty years ago she became a household name with her single "Stay (I Missed You)" from the Reality Bites soundtrack. Since then she's been on a roll with with tours, designing her own eyewear line, kids albums and more. She recently just finished performing in her own stage production, Camp Kappawanna with the Atlantic Theatre in New York.
A previously unheard recording of Kurt Cobain covering The Beatles’ “And I Love Her” acoustically has appeared online. The rough-sounding (but nonetheless magical!) recording was found during the making of the new documentary, Kurt Cobain: Montage of Heck.
The first thing you have to realize when amplifying an acoustic guitar is that in doing so you’ve gone interactive, which sounds very nice except that it happens to work against you in this situation. What do I mean by “interactive?” Just that your acoustic guitar interacts with its sonic environment, and when that environment gets loud, acoustic guitars get weird.