“Our lawyer called it the most psychopathic contract a session musician could ever be handed”: Six former Cradle of Filth members file lawsuit against Dani Filth and the band’s management

Dani Filth of Cradle Of Filth performs at The Roundhouse on October 31, 2021 in London, England
(Image credit: Lorne Thomson/Redferns/Getty Images)

Six former members of Cradle of Filth have filed a lawsuit against bandleader Dani Filth and the group's management.

It follows allegations levelled at the vocalist by guitarist Marek “Ashok” Šmerda and keyboardist Zoe Marie Federoff. The pair quit the British death metal outfit in August over alleged poor pay and “psychopathic” contracts.

Their complaints concern alleged copyright infringement, misappropriation of the plaintiffs’ likenesses in merchandise, defamation, unpaid royalties for live shows and recordings, and unauthorised use of copyright.

“It is a lot of work for relatively low pay, the stress is quite high, and we haven’t felt like this band actually prioritizes/cares about its members,” Ashok had alleged.

Federoff's statement, posted to Instagram, also cites “the theft of album advance money” and being called a “cancer” and “a dead horse” when she made inquiries to management.

“The frontman does nothing to stop them and hides behind them while they belittle and steal,” she claimed. “We hold the frontman responsible for hiring this management and never advocating for his team, only himself.”

The collective is suing Dani Filth (whose real name is Daniel Lloyd Davey), Cradle Of Filth Touring Limited, Cradle Of Filth LLP, and The Oracle Management.

Filth has yet to respond directly to the lawsuit. However, he had initially responded to the allegations issued in August, saying, “I won’t let unfounded slander define this band or diminish the work we’ve put into it.”

You can read his full statement, issued via Instagram in September, below.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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