Billy Gibbons may be one of the coolest cats ever to sling a Gibson Les Paul, but it took B.B. King playing his guitar to spark a string-gauge shake-up that changed the way he played forever.
With the recent release of Joe Bonamassa’s new tribute album to the King, Blues Summit 100, the late blues legend is back in the limelight. The record’s release coincided with what would have been King's 100th birthday, and, speaking in the new issue of Guitarist, ZZ Top maestro Gibbons reflects on his earliest memories of him. It proved to be life-changing.
They had met in the 1950s in Las Cruces, New Mexico, igniting “some lively discussions surrounding guitars”, including one line from King that left Gibbons re-assessing his belief about guitar tone.
“At the time, using heavy- gauge guitar strings was thought necessary for getting a big tone,” Gibbons quips. “When B.B. asked to try a few licks on my guitar, he quickly smiled and asked, ‘Why you working so hard?’ He then laid it down to show off a new set of his super-light-gauge strings.
“It was at that very moment that everything turned around. As BB then said, ‘Light is all right!’”
“Ironically, the switch to lighten the load, so to speak, was automatic,” he develops. “First came the set of nines, then eights. And now, thanks to Jim Dunlop, we've slithered down to sevens. They stretch, stay in tune, and they don't break. B.B., we thank you!”
The B.B. King tributes are set to continue following the announcement that he’s the latest musician to be the subject of a big-screen biopic. That follows recent films on Bruce Springsteen and Bob Dylan, with further films on the Beatles and Sister Rosetta Tharpe also on the way.
The new issue of Guitarist is out now. Head to Magazines Direct to pick up a copy.
You must confirm your public display name before commenting
Please logout and then login again, you will then be prompted to enter your display name.
