“I was a little uncomfortable, to be honest”: Why Myles Kennedy felt uneasy using Jeff Buckley’s Telecaster to play Hallelujah

Myles Kennedy and Jeff Buckley comp
(Image credit: Getty Images)

In 2019, Alter Bridge’s Myles Kennedy played Jeff Buckley’s iconic Telecaster for a special performance of Hallelujah in Paris – but the guitarist says he didn’t feel worthy of the honor.

Originally released by Leonard Cohen in 1982, Buckley made the tender ballad his own years later when he released it as part of his Grace record in 1994. Indeed, his version regularly sits high in lists of the greatest songs of all time.

“Playing Jeff's guitar was amazing, though I truly didn't feel worthy of it,” he confesses. “I was a little uncomfortable, to be honest. I gradually convinced myself that it was okay. It's just a guitar that's part of this incredible history. All I had to do was not taint that history!”

“It's just an early-to-mid ‘80s Tele, but there's something weird about how the pickup was wired,” he reveals. “Apparently, there's something technically wrong with it, at least from what [Matt's Guitar Shop owner] Matt Lucas explained to me. That's what gives it that beautiful shimmery sound. It's all down to this imperfection, which makes it even cooler. When you plug it in, you think, 'Oh yeah, there's that sound!’”

Myles Kennedy performs "Hallelujah" with Jeff Buckley's Fender Telecaster. - YouTube Myles Kennedy performs
Watch On

“It’s amazing to have a bit of history like that, and to just feel a little bit of his greatness,” Bellamy told Guitar World. “The only problem is I don’t think I’ve written any songs good enough to play on yet! [laughs]. So the pressure’s now on.”

In related news, Buckley was recently nominated for a place in the Rock and Roll Hall of Fame, and Grammy-winning guitarist Ella Feingold believes he's more than worthy of the honor.

Myles Kennedy’s full interview features in the new print issue of Guitarist. Head to Magazines Direct to pick up a copy.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

With contributions from

You must confirm your public display name before commenting

Please logout and then login again, you will then be prompted to enter your display name.