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Parcels’ Jules Crommelin and Patrick Hetherington: “I think we felt a collective desire to break out from what people expected from us”
Defiantly bucking the trends of the playlist-centric synthpop scene, Parcels have returned with an analogue-forward concept album split in two unique halves
Quicksand’s Walter Schreifels: “I felt more comfortable on this record than I did on ‘Interiors’, because I had gained more confidence from playing as a three-piece”
On their second album post-comeback, Quicksand embrace the modern age as icons of the ‘90s. But what does that mean?
Geek out over The Beatles' classic gear in Australian Guitar #145, out today
This issue goes heavy on interviews, but certainly doesn't skimp on the editorials, lessons or reviews either
The War On Drugs’ Adam Granduciel: “I think this is the first time I’ve actually been excited to release an album”
The War On Drugs frontman Adam Granduciel unpacks the indie stalwarts’ profoundly powerful new album, 'I Don’t Live Here Anymore'
Shihad’s Phil Knight: “We wanted to do a heavier album”
Lead shredder Phil Knight tells us how the band tapped into their savage side for Old Gods, and why they wanted to capture the raw, visceral intensity of their live show
Eruption: Conversations With Eddie Van Halen is a definitive new biography based on 50+ hours of interviews with the man himself
The book, due October 5, also includes chapters on EVH’s guitar builds and personal stories from the guitarist detailing oddities from his gear collection
Australian Guitar x Bluesfest 2022: Hiatus Kaiyote
AG goes one-on-one with the artists set to make history Bluesfest's all-Aussie comeback edition. This week, we're chatting with Hiatus Kaiyote
Premiere: Justin Bernasconi channels the spirit of the Australian outback on luminous new single “Lady In The Field”
It's the latest single from Bernasconi's fast-approaching third album, 'Sleeping Like A Maniac' (or SLAM, of short)
Australian Guitar x Bluesfest 2022: The Living End
AG goes one-on-one with the artists set to make history Bluesfest's all-Aussie comeback edition. This week, we're chatting with The Living End
Australian Guitar x Bluesfest 2022: All Our Exes Live In Texas
AG goes one-on-one with the artists set to make history Bluesfest's all-Aussie comeback edition. This week, we're chatting with All Our Exes Live In Texas
The Superjesus’ Jason Slack: “I had no real plan from the start, I just wanted to make a guitar”
Ahead of their tour celebrating 2000’s Jet Age this September, Jason Slack gives us an exclusive tease of the homemade guitar he’ll be playing on it
Australian Guitar x Bluesfest 2022: Tex Perkins
AG goes one-on-one with the artists set to make history Bluesfest's all-Aussie comeback edition. This week, we're chatting with Tex Perkins
Children Collide’s Johnny Mackay: “We were using old, shitty, tiny Fender amps”
After nine years (that felt more like 90), the psych-rock powerhouse have finally minted their fourth album – a furiously fun, rivetingly raucous affair
