Henry Yates
Henry Yates is a freelance journalist who has written about music for titles including The Guardian, Telegraph, NME, Classic Rock, Guitarist, Total Guitar and Metal Hammer. He is the author of Walter Trout's official biography, Rescued From Reality, a talking head on Times Radio and an interviewer who has spoken to Brian May, Jimmy Page, Ozzy Osbourne, Ronnie Wood, Dave Grohl and many more. As a guitarist with three decades' experience, he mostly plays a Fender Telecaster and Gibson Les Paul.
Latest articles by Henry Yates

By Henry Yates Published
Founded by Hendrix just months before his death, Electric Lady Studios was a mind-expanding creative mothership where his guitar playing reached new heights...

By Jackson Maxwell Published
The Vox AC30 amp/Red Special guitar combo is one of the most iconic in rock, but the Queen guitar hero didn't solidify that setup straight away

By Matt Owen Published
The Smiths icon and vintage gear lover has some choice words for guitarists who prefer satin finish treatments – and anyone who artificially ages their gloss necks

By Henry Yates Published
Remembering the veteran gun-for-hire who played the tough, wiry riff from the James Bond theme

By Jamie Dickson Published
A signature-shifting collision of bucolic folk and frayed-edge rock, Jethro Tull’s Aqualung is one of the ’70s’ most daring records. Barre takes us on a deep dive back to those fabled sessions, from winging his parts to snubbing Jimmy Page

By Henry Yates Published
Gilmour's tech, Phil Taylor, provides GW with an exhaustive list of the guitar gear used to record the prog icon's first solo album in nine years – and there are some surprising pieces of kit

By Jamie Dickson Published
Adrian Thorpe of ThorpyFX remembers the flight path – and turbulence – behind Chris Buck’s Electric Lightning overdrive/boost, named after a fighter jet and packing a bona fide valve

By Henry Yates Published
Luck and Strange, Gilmour’s first solo album in nine years, came together in a barn, features late Pink Floyd keyboardist Rick Wright, a rotating cast of vintage guitars, and a producer who challenged him to take his sound to new places

By Henry Yates Published
“Driving the locomotive” in new supergroup Parlor Greens might be the Seattle soul man’s finest hour yet, and it finds him happiest when holding it down on rhythm guitar

By Janelle Borg Published
Jethro Tull went on tour with Jimi Hendrix, Led Zeppelin and Vanilla Fudge right after Barre joined the band

By Jackson Maxwell Published
“I think it was take two,” the Jethro Tull guitarist recalled, “and if I hadn’t got it in two then it would have been a flute solo”

By Jackson Maxwell Published
He may have once had a guitar worth $4 million, and you'll still see physical heads and cabinets at his live shows, but when laying tracks down at home, the Pink Floyd legend's tastes are far from expensive

By Jackson Maxwell Published
Unbothered by letting go of his most famous – not to mention valuable – six-string tool, Gilmour tells GW that his signature Fender Black Strat does the job of the original perfectly well

By Henry Yates Published
Percussive and heavily processed, the US troubadour’s new album, Unprecedented Sh!t, burns the playbook of acoustic folk

By Janelle Borg Published
In a new interview with Guitarist, DiFranco also talked about exploring vintage guitars, and how this journey led her to Gibson

By Henry Yates Published
Hawley collaborated with Eddy on the late rock 'n' roll pioneer's 2011 album, Road Trip, and it was a musical education like no other

By Henry Yates Published
The good-humoured architect of twang died on 30 April, but his legacy is a guitar tone for the ages, forever evoking greasers, flick knives and hot-rods

By Henry Yates Published
Brian Robertson might have given Gorham the coldest of welcomes at his audition but the pair soon formed one of rock's most iconic guitar partnerships. Here, Gorham looks back on their chemistry and the Les Pauls behind his Lizzy sound

By Henry Yates Published
As the Niger guitarist releases a bristling new collection of protest songs, he explains how injustice puts the fire in his fingers, what keeps him loyal to the Strat, and why everybody in his hometown wants to play guitar

By Janelle Borg Published
The gear (or lack of) behind Mdou Moctar's searing signature sound on Funeral For Justice, which fuses Saharan rock music with Jimi Hendrix and Eddie Van Halen flair

By Henry Yates Published
The Magnum guitarist died following diagnosis with a rare spinal condition, leaving behind a staggering body of work and huge affection amongst fans and industry peers
![IDLES's Mark Bowen and Lee Kiernan [right]](https://cdn.mos.cms.futurecdn.net/7NmfKqjZr8S39kVfaGSgbn-320-80.jpg)
By Henry Yates Published
Savage, socially charged and allergic to cliché, Idles are less categorisable than ever on fifth album, Tangk, and its dynamic guitar partnership Mark Bowen and Lee Kiernan are holding nothing back

By Henry Yates Published
The former Oasis frontman talks Gallagher/Squire and pays tribute to the Stone Roses guitar legend in an interview that is 100 percent gold

By Henry Yates Published
The reclusive guitar great invites us to his studio to talk classic riffs, career-ending injuries, what caused the Stone Roses reunion to fizzle out, and why music keeps pulling him back in

By Matt Parker Published
UK post-punk heroes Mark Bowen and Lee Kiernan reckon modelers are best consigned to the role of live backups – and you shouldn’t let them near your recordings
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