Fender CD-60S All-Mahogany review By Jonathan Horsley Has Fender just raised the bar for the entry-level acoustic with the CD-60S All-Mahogany?
Charvel Pro-Mod DK22 SSS 2PT CM review By Ed Mitchell A hard-rocker with vintage tones that'll pull bluesers and country cats towards compound radii and floating whammies…
Fender American Original ’70s Telecaster Custom review By Dave Burrluck Featuring the original-style Cunife Wide Range humbucker, this Tele Custom has that '70s thing to a T
ThorpyFX The Bunker review By Trevor Curwen Revisit Lovetone’s roots with Adrian Thorpe's take on one of our favorite tone condiments, the Brown Source overdrive
Fender Compugilist review By Trevor Curwen Fender's distortion and compressor combo offers an array of practical tone-boosting options
Fender Pour Over Envelope Filter review By Trevor Curwen The Big F adds an envelope filter to its ever-expanding lineup of pedals
Atkin The Forty Three review By Neville Marten Alister Atkin makes superlative guitars inspired by classic heritage models. Here’s his 1940s ‘workman’ acoustic
Guild Aristocrat HH & P90 review By Dave Burrluck This pair of Guild single-cuts combine vintage style and lighter weight at a temptingly affordable price
ThorpyFX The Field Marshal review By Rod Brakes Adrian Thorpe and Dan Coggins' latest fuzz box will make Lovetone fans stand to attention with Big Cheese-y grins
Fender The Trapper Dual Fuzz review By Trevor Curwen Fender bolsters its pedal line-up with a multi-voiced fuzz that's blessed with an octave switch for added hi-jinks
Rajani VOD-50 112 Combo review By Nick Guppy This combo from Rajani is a modern take on classic tone, comfortably familiar and with its origins in North London
Dophix Michelangelo Overdrive Plus review By Trevor Curwen Overdrive as art? Dophix presents a trio of voices for tube-style drive
Hamstead Soundworks Subspace Intergalactic Driver review By Trevor Curwen Optimised for low frequencies, this drive takes versatility to the next level
PRS McCarty 2020 review By Dave Burrluck Always in the Custom's shadow, the 26-year-old McCarty was PRS’s first ‘vintage-aimed’ model and has been revised for 2020
Fender Reflecting Pool Delay/Reverb review By Trevor Curwen Dive in for a sonic soaking with this one-box ambient solution
Ernie Ball Music Man Sabre review By Ed Mitchell En garde! This new Music Man double-cut might be unsheathed from designs of yore but is no vintage flashback
Martin SC-13E review By Dave Burrluck Martin’s big launch for 2020 is a very un-Martin-style ‘crossover’ guitar. A designer’s folly or the future?
PRS S2 McCarty 594, S2 McCarty 594 Singlecut & S2 McCarty 594 Thinline review By Dave Burrluck PRS’s trio of S2 594 models were a big hit at this year’s NAMM Show. How do they fare in the flesh? Very well…
