Boss is back in the synth business – and its new GM-800 could be the best way to get keyboard sounds from your guitar yet
A new Series GK digital interface and an advanced operating engine lifted from Roland's collection of keyboards head up the powerful stompbox
Boss has expanded its synth pedal lineup with the GM-800 – a next-generation stompbox that might be your best bet for squeezing keyboard sounds from your electric guitar or bass guitar.
The Boss catalog of synth pedals is widely considered to be one of the best on the market, and the GM-800 looks to build on this reputation by utilizing a new Serial GK digital interface, and the same ZEN-Core Synthesis System that is found in some of Roland’s most popular keyboards and synths.
This ZEN-Core system – “the most powerful synth engine in Roland’s long history” – is a combination of PCM (Pulse Code Modulation) synthesis and advanced modeling technology, both of which promise to provide “an infinite playground for sonic discovery”.
With the same operating core as the JUPITER-X and FANTOM keyboard, the GM-800 comes loaded with over 1200 Tones that recreate an array of pianos, organs, orchestral instruments, and other sounds “only available with keyboard-based instruments”.
The GM-800 has been unveiled alongside a host of GK series accessories, including user-installable guitar and bass pickups (GK-5 and GK-5B), which are designed to work in tandem with the GM-800’s high-speed pitch and string tracking processor.
Elsewhere, two GK converters – GKC-AD and GKC-DA – have been released to facilitate integration between Boss’s updates Serial SK system and older 13-pin interfaces in a range of setups. Dedicated Serial GK cables have also been unveiled.
In practice, the GM-800 is organized into Scenes, which are where the 1200 Tones, 70 Rhythm sounds and 90 Effects types can be arranged. In any one Scene, four Tones can be utilized alongside one Rhythm option, with a swathe of parameters, pitch settings and sensitivity adjustments available via the four controls below the screen.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Fine tonal tweaks are also available through these Scenes: a bass sound can be assigned to the lower strings, for example, while a piano effect can be simultaneously slapped on to the higher strings. Heck, Tones can even be applied right down to a specific fret range.
Overall, there are 150 user-configurable scenes, with 100 of those arriving with factory-loaded presets – and, as a notable bonus, the GM-800’s DSP allows for sound carry over when switching between Scenes.
As for the rest of the controls, the four footswitches are wholly configurable, and can be tasked with Scene selection, pedal hold, pitch bend, Tone browsing and more. Master Output and Select knobs, along with a handful of functional buttons, complete the topography.
Though it’s a pedalboard-friendly unit, the GM-800’s potential extends far beyond the floor: it’s compatible with desktops, laptops and MIDI via USB and MIDI ins and outs, and can be linked to Roland’s Cloud to harness an ever-growing crop of sonic options.
A dedicated Serial GK pickup is required to operate the GM-800, but, as Boss notes, it looks to be a straight-forward installation, with a space-saving connector and low profile ensuring a seamless attachment to the body.
Both the guitar and bass pickups are compatible with “most” models, and internal sensors can be adjusted to accomodate different bridge spacings.
So, is the GM-800 Boss's synth masterpiece? Well, yes, probably – it looks like a seriously powerful bit of kit, and one that will no doubt pique the interests of all synth aficionados.
The GM-800 will be available in August for $749.
Head over to Boss to find out more.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Matt is a Senior Staff Writer, writing for Guitar World, Guitarist and Total Guitar. He has a Masters in the guitar, a degree in history, and has spent the last 16 years playing everything from blues and jazz to indie and pop. When he’s not combining his passion for writing and music during his day job, Matt records for a number of UK-based bands and songwriters as a session musician.
“Unlimited looping for endless ideas”: Can Zoom beat Boss and TC Electronic at their own game and conquer the compact looper game with its latest MultiStomp pedal?
“It’s a testament to just how much utility it provides”: Reverb has revealed its best-selling pedals of 2024 – and it seems we have a winner in this year’s amp modeler race