From the Archive
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By Jonathan Horsley Published
From The Archive Atkins was one of the greatest of all time and yet he was never satisfied. We guitar players can be too hard on ourselves

By Phil Weller Published
From the Archive Mars looks back on the making of one of Crüe’s most popular tracks

By Phil Weller Published
From the Archive Gallagher’s Strat was weathered through sweat and aggressive playing. Marr felt he could fast-track the same aesthetic

By Jackson Maxwell Published
From the Archive Once the Allman Brothers hit their stride, the two guitarists clicked. But their first interactions didn’t exactly foretell a legendary partnership

By Phil Weller Published
From the Archive The SG-touting AC/DC legend has used Chuck Berry and B.B. King to back up his argument

By Jonathan Horsley Published
From the Archive It pays to keep some change in your pocket. You never know when your tone will need it

By Jonathan Horsley Published
From the Archive How the stepson of Robert Johnson took B.B. King under his wing as he workshopped his chops in Memphis
![Angus Young wears his school uniform as AC/DC play Donington Monsters of Rock [left]; Eric Clapton is suited and playing a pale blue Strat in the mid '80s.](https://cdn.mos.cms.futurecdn.net/QgAfKvcwAsJVc5suVA6JUK-320-80.jpg)
By Jonathan Horsley Published
From the Archive When the AC/DC guitarist was coming up, Clapton was the player blowing everyone's mind but his
![Joe Satriani plays his Paisley Pattern JS signature Ibanez; Kirk Hammett [right] plays his ESP Mummy.](https://cdn.mos.cms.futurecdn.net/w4FRgR6B5Pv4bVmgRR4KYU-320-80.jpg)
By Jonathan Horsley Published
From the Archive When Joe Satriani got an exclusive preview of new Metallica material during lessons with his student Kirk Hammett

By Jackson Maxwell Published
From the Archive The country guitar giant was possibly the first to ever try out the game-changing piece of guitar hardware, and its invention was born out of a challenge he set for his friend
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