Review: Positive Grid BIAS FX 2 is so good you may never want to go back to playing a 'real world' amp or pedalboard again By Chris Gill The latest version of the amp modeler includes jaw-dropping Guitar Match feature
Review: EVH's 5150III 50-Watt 6L6 Head is the perfect gigging and studio amp for discriminating players By Chris Gill This is an amp that can truly do it all, from dazzling clean tones and fiery classic rock crunch to the heaviest modern metal grind
Review: Martin's Road Series GPC-13E blends the classic Martin sound with a modern approach By Chris Gill This guitar offers outstanding playability, tone and performance at an affordable price
Review: Fishman's Fluence Open Core Classic Humbucker Pickups deliver revolutionary, noise-free performance By Chris Gill These pickups can win over even the most technophobic, tradition-loving guitarist
Review: PRS Guitars' CE 24 Semi-Hollow balances the fierce and familiar By Chris Gill Delivering an impressive balance of brilliance, clarity, body and breadth, the PRS CE 24 Semi-Hollow is an incredibly responsive and dynamic electric
Review: Eventide's Rose pedal offers a world of tones and textures By Chris Gill If you think that delay is played out as an effect, the Eventide Rose will change your outlook
Review: Martin's new DJr-10E Dreadnought Junior is the perfect acoustic for just about anyone By Paul Riario This guitar ticks all the boxes for comfort, feel, playability, portability and most importantly, sound
Review: Taylor Grand Pacific 717 and 517E By Chris Gill The Taylor Grand Pacific models represent the most significant enhancement of the traditional dreadnought design and sound since its introduction 85 years ago.
Review: Orange Tremlord 30 Combo By Chris Gill This is hard to beat if you’re looking for an amp with highly distinctive tone with full body, rich harmonics and expressive depth.
Review: GrooveTech Acoustic Guitar Kit By Paul Riario This kit features every practical adjustment tool you’ll need to keep that acoustic motor running.
Review: Ernie Ball Music Man John Petrucci Majesty Tiger Eye By Paul Riario For its streamlined beauty and ergonomic design, the Ernie Ball Music Man Majesty Tiger Eye is an unrivaled instrument for dextrous playing and tonal possibilities.
Review: Fender Full Moon Distortion and The Pelt Pedals By Chris Gill Fender’s Full Moon Distortion and The Pelt fuzz pedals take high-gain distortion and fuzz to a new level of excellence.
Review: IK Multimedia Axe I/O By Chris Gill The IK Multimedia Axe I/O makes it easy to record incredible guitar tones without an unlimited budget and an advanced recording engineer degree.
Review: Gretsch G6131-MY Malcolm Young Signature Jet By Chris Gill The Gretsch G6131-MY Malcolm Young Signature Jet nails Malcolm’s tone while also providing players with an outstanding instrument for developing their own sound.
Review: Yamaha FS-TA TransAcoustic By Paul Riario The FS-TA features Yamaha's fantastic TransAcoustic technology, with all the top-notch craftsmanship the company is known for, at a price that won't break the bank.
Review: Boss GT-1000 Guitar Effects Processor By Chris Gill The Boss GT-1000 delivers extremely powerful guitar tone and effects capabilities in a stage-worthy, portable, all-in-one rig package.
Review: Eventide PowerMax By Paul Riario The PowerMax is so reliable that, once you use it, there’s no going back to anything else.
Review: Fender Player Stratocaster HSH By Paul Riario The Fender Player Series Stratocaster HSH is a bargain for an instrument that packs a wallop in tone and features.
Review: EarthQuaker Devices Swiss Things Pedalboard Reconciler By Chris Gill The EarthQuaker Devices Swiss Things Pedalboard Reconciler performs an impressive variety of essential functions and makes it easy for guitarists to maximize the potential of their pedalboards.
Review: Marshall Origin50H Amp Head By Chris Gill At its heart the Origin50H is all about providing the most beloved classic Marshall tone in its most pure and unadulterated form.
