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Latest Features

“They stole our name – Jon Bon Jovi and Richie Sambora were listening to our records”: The tale of the original Irish Skid Row
By Andrew Daly published
Bassist Brush Shiels looks back on his lifelong friendship with Moore, why he won’t sue the American hair metal band, and how Peter Green was responsible for their first album sounding so bad

How the DigiTech WH-1 Whammy pedal changed the game for guitar effects
By Chris Gill published
Used by Radiohead, Dimebag Darrell, Tom Morello and countless others, the Whammy was the game-changing pitch-shifter guitar was waiting for

Scott Gorham on the future of Thin Lizzy – and how the late John Sykes gave them thunder when they needed it most
By Henry Yates published
Gorham remembers John Sykes, the player who stepped in and stepped up, breathing new life into Thin Lizzy with the super hard rock sound of his Les Paul Custom

Spinal Tap once surprised Nigel Tufnel with an all-star guitar solo tribute – but he wasn't thrilled about it
By Jackson Maxwell published
Explaining (well, bickering about, really) the star-studded Break Like the Wind, David St. Hubbins maintained that the collaboration was merely intended as a friendly gesture from admirers, and that Tufnel misunderstood it

Roger McGuinn on The Byrds’ influential guitar style, and why they didn’t follow The Kinks and The Who into distortion
By Andrew Daly published
The banjo-inspired Rickenbacker guitar icon recalls how Miles Davis got them signed and weighs up the merits of David Crosby and Clarence White

Meet Ben Lechuga, the Steve Vai-championed Chilean virtuoso who has gone fretless – and why he’s never going back
By Amit Sharma published
Lechuga won a Steve Vai scholarship in 2011 and now plays with David Maxim Micic and teaches for Ernie Ball Music Man, and going fretless, he says, has made totally rethink his playing

Remembering Mike Peters, the late frontman of the Alarm
By Bob Hewitt published
Following 30 years of living with blood cancer, Peters passed away at the age of 66

How G&L Guitars is carrying on the legacy of Leo Fender
By Andrew Daly published
G&L director of sales Steve Araujo on the other brand that Leo Fender built, and the innovations that have made it a favorite of A-list pros such as Jerry Cantrell

Dean DeLeo on why his favorite STP songs are the ones he didn’t write, and barging into Allan Holdsworth’s dressing room
By Amit Sharma published
The Stone Temple Pilots guitar icon explains how he stumbles upon songs, why nothing’s quite like a Telecaster, and how his latest spellbinding collaboration, One More Satellite, came to be

We Lost the Sea channeled grief into a landmark post-rock album – then they had to face the pressure of how to follow it
By Alex Lynham published
The Australian instrumentalists created beauty from tragedy with Departure Songs. Hard-fought third album A Single Flower is a breathtaking product of the journey they’ve been on so far, delivered via aluminum guitars and boatloads of pedals
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