Here’s a clip of the Stones playing one of their best acoustic numbers, “Wild Horses.” The video was shot live (in appropriately moody black and white) at Toshiba/EMI Studios in Tokyo back in 1995. “Wild Horses” originally appeared on the Stones’ 1971 album Sticky Fingers, and was written by Mick Jagger and Keith Richards. This version appears on the album Stripped, which is a collection of live recordings from smaller venues and studio recordings.
Here’s a little slice of honky-tonk heaven for your listening pleasure. It’s our exclusive premiere of Loudon Wainwright III performing Chris Smither’s “Place in Line.” Wainwright’s laid-back execution of this Dylan-tinged tune is extremely appealing. Cool piano and some great lyrics bring it on home.
There is a standard joke in Nashville that goes "What do you call a songwriter without a wife or girlfriend?" The punchline is "homeless." There is almost always some truth in a joke. The truth in this one is that most of us - me included - need some support, both emotional and financial, early in our careers if we hope to succeed.
Happy birthday to us! That’s right, today we’re celebrating the one year anniversary of the launch of AcousticNation.com, Guitar World’s channel for the contemporary acoustic music world. And what better way to celebrate than to take a look back at some of my favorite highlights of that year.
If your day is missing some gorgeous guitar work, with lovely tone and virtuosic dexterity, you’ve come to the right place. Today we’re premiering “Stone Cross” by Julian Lage and Chris Edridge from their new album Avalon, release October 7.
Harp and metal? Why not? Especially when it’s performed by the Harp Twins, Camille and Kennerly Kitt. Here they tackle Iron Maiden’s “Fear of the Dark,” for a performance they have said was one of their most difficult.
One simple technique that is often used to spice up many chords – and in the process make a lot of garden-variety chord progressions sound more interesting – is the manner-on. To play a hammer-on, pick a string and then, while the note is still ringing, sound a higher note on that same string by firmly tapping, or “hammering,” it onto the fretboard with one of your fretting fingers without picking it again.
Here’s a great Video Find for you Foo Fighters fans. It’s Dave Grohl and Co. performing “Everlong” acoustically back in 1999. The clip opens up with Grohl picking The Beatles’ “Blackbird,” as he attempts to get drummer Taylor Hawkins to sing Paul McCartney’s vocals. The band then kicks in to an emotional performance of “Everlong,” a track that appears of the second Foo Fighters LP, 1997’s The Colour and the Shape.
Who doesn’t like a power ballad, that soft underbelly of a hard rocker, rarely seen in the light of day? You’ve probably heard the story…the power ballad is often the biggest hit for heavier bands, opening their music up to the love-song loving masses.