It’s difficult to imagine two human beings more different than Joe Satriani and Zakk Wylde, even just in terms of physical appearance. Satriani is slight and slender, with a clean-shaven face and head. Wylde is big and hairy, with full beard and black-leather biker garb encasing his paunchy frame.
The Metal For Life: Mastering Heavy Metal DVD is available now at the Guitar World Online Store for only $14.95. Strap on your ax for an extreme-metal boot camp, as Metal Mike Chlasciak helps you hone your chops to perfection! You'll learn how to traverse the fretboard with ever-essential minor pentatonic scale, incorporate minor scales into riffs and rhythm parts, build power-chord variations for maximum sonic effect and much more.
Jackie Lomax was born on this date (May 10) in 1944. I'd like to celebrate this seemingly arbitrary milestone by discussing the most famous thing Lomax has ever been involved in — the recording of a song called "Sour Milk Sea." The song is legendary because it is very nearly a Beatles recording.
There are some guides on the web on where to put your tuning pegs on a CBG, but I like to keep it simple. I set the pegs on top of the headstock and make a mark where I want them to go. I make sure I place the tuning peg for the middle string in about 1/4 inch from the side so I won’t have to use a string tree. Read on!
Widely recognized as one of the greatest blues guitarists of our time, Robert Cray has pretty much done it all in his four decades of making music. Cray has written songs or shared the stage with Muddy Waters, John Lee Hooker, Albert Collins, Stevie Ray Vaughan, Johnny Copeland and Eric Clapton.
Attentive Beatles fans who purchased Let It Be when it came out in May 1970 noticed something very different about the album version of the title track: The guitar solo was markedly changed from what they'd heard on the "Let It Be" single released two months earlier.
I worked in a music store in Glasgow, Scotland, for almost 18 years. Anyone who has ever worked in that kind of environment will tell you that they’ve seen some pretty weird stuff in their time. Factor in that I was the guitar repair guy, and the potential for weirdness rockets into the stratosphere.