“I’d say, ‘Man, that guitar riff sounded killer.’ He’d respond, ‘Well, I’m sure I’ll mess it up next time’”: John Mayer, Trey Anastasio and Steve Vai lead tributes to Bob Weir

D'Angelico Deluxe Bobby Weir 3
(Image credit: D'Angelico)

A myriad of guitarists from different walks of life have paid tribute to Grateful Dead guitarist Bob Weir, who has died aged 78, underscoring the scope of his influence and impact on American culture.

He co-founded the band, whose genre-fusing exploits earned them a status as one of America's greatest, amidst the burgeoning counterculture movement of the 1960s, and never slowed down. Just last year, his GD-adjacent group, Dead & Company, completed the longest residency at Las Vegas' immersive Sphere venue. There was also a cameo with Sammy Hagar’s band across town.

“Okay, Bob. I’ll do it your way. Fkn’ A…” he writes on Instagram. “Thanks for letting me ride alongside you. It sure was a pleasure. If you say it’s not the end, then I’ll believe you. I’ll meet you in the music. Come find me anytime.”

Phish guitarist Trey Anastasio, meanwhile, has reflected on his interactions with the man and what his passing means.

“There were times when I was talking to him when I thought he was the last actual hippie,” he says (via the Guardian). “Bobby was completely allergic to compliments in the most endearing way. I’d say, ‘Man, that guitar riff you were doing on that song sounded really killer,’ and he’d respond, ‘Well, I’m sure I’ll fuck it up next time.’ I loved that about him.”

Steve Vai, who had the “great fortune” of playing with Weir at a 2017 charity concert, says, “for a few sublime hours we just sat around and jammed backstage, earthy and inspired, opening up my ears in ways I’ll never forget.

“Bob was a sharp listener, and his choice of chords, melodies, and tempos created an aura that was at once cosmic and playful…where the lines between sound and spirit blur in the best possible way,” he adds. “It was an absolute honor to share these moments with him, and I’m grateful for every note of light he gave this world.”

Country star Margo Price, meanwhile, who has grown close to Weir over the past decade, compared him to one of Dr. Seuss’s most famous creations.

“He always had a twinkle in his eye,” she says. “Like a barefoot philosopher or the Lorax, he was mystical. The records he made with the Grateful Dead are woven into the tapestry of American music forever.”

The EaglesDon Felder says he was “blessed” to have him sing on his solo track, Rock You, and Brandi Carlisle wrote that “Bob had time for all of us. He came to our shows, helped us write songs, and got so many of us out on stage to jam and just stand in his light.”

In a move indicative of Weir’s widespread influence, a truly vast cross section of guitar talent including, Warren Haynes, Joe Bonamassa, Molly Tuttle, Alex Skolnick, Robb Flynn, Duane Betts, Scott Ian, Lee Ranaldo and Aaron Dessner have also expressed their love for Weir and his playing.

“I along with my friend James helped him find a bigsby equipped all gold parts 1956 Les Paul,” relays Bonamassa. “The guitar had a very old sticker of two aces on the original pick guard. He politely reminded me that his most successful solo album was called "Ace". Sometimes things are meant to be and the world works in mysterious ways.”

Meanwhile Bob Dylan simply posted a captionless image of the pair performing together, bluegrass virtuoso Billy Strings looked back on his interactions with the guitar hero.

“I’ll always cherish the memories I have of Bob,” he says. “Of hanging out in his hotel room and him showing me his record collection and mobile recording rig. Sitting there listening to Kind of Blue in silence. Soaking in the frequencies. Of him busting into When I Paint my Masterpiece at my wedding, and in an instant, he turned the place into a joyous musical celebration.”

Bob Weir is survived by his wife, Natascha, two children, Shala Monet and Chloe, and a sprawling discography that has forever changed the face of American music.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

You must confirm your public display name before commenting

Please logout and then login again, you will then be prompted to enter your display name.