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BackStory Events and Guitar World invite you to join us for the live stream of our exclusive interview with Joe Satriani, John Petrucci and Phil Collen of the G3 Tour. The interview will take place at 6:00 p.m. EST on February 7, live from the Cutting Room in New York City.

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Bassist Darryl Jenifer of Bad Brains performs onstage at the Virgin Festival By Virgin Mobile 2007 at Pimlico Race Course on August 5, 2007 in Baltimore, Maryland.

“I played a 5-string with Lauryn Hill, but it didn’t feel like a real bass”: Raised on R&B, schooled by fusion, and empowered by punk rock, Bad Brains bassist Darryl Jenifer remains a 4-string purist

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“We made a handwritten tab book. I wanted to make some sort of DIY zine, and I had all these guitar solos from the EP that people were asking about”: Musical polymath Luna Li on blending harps with Fender Jaguars – and the art of arrangement

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“David Ellefson told me, ‘You got the gig. Oh and by the way, Dave told me to tell you that you played many of the wrong guitar parts’”: Marty Friedman tells the inside story of his auditions with Ozzy Osbourne and Madonna – and landing the Megadeth gig

“I don’t like brand-new guitars. I’ll see a new guitar and I’m like, ‘That’s gonna look good after I drag it across the driveway’”: Alter Bridge’s Myles Kennedy spills his tone (and drop tuning) secrets

“We have no problem with sampling. If it hadn’t been for that you probably wouldn’t be interviewing us today”: Cymande bassist Steve Scipio on how the funk pioneers were almost buried before crate diggers like De La Soul and the Fugees brought them back

“Delay isn’t something you really think of when you think of an acoustic guitar, but it works quite well when you’re adding a top line to a loop”: How Yamaha evolved its TransAcoustic tech to create an acoustic guitar with an onboard delay and looper

“I don't look at the fingerboard, I listen to it. All of my fretless basses have no fret lines. I can't play on a lined fingerboard”: How Bakithi Kumalo’s swung, fretless bassline helped create one of Graceland’s defining sounds

“When I was growing up, everyone said, ‘Oh, bass is just a second guitar.’ Bull! It's an art, man!” How Matt Freeman became one of punk’s most iconic bassists – bringing bass solos, jazz band and Carole King to Rancid

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